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I love L.A. I always have such a great time in L.A. The way I kind of define me and L.A. is the noise of the factory doesn't let me sleep well.

Alfonso Cuaron

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Alfonso Cuaron
Age: 54
Cinematographer
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Television Actor
Television Director
Mexico City
Mexico
Alfonso Cuaron
Alfonso Cuarón Orozco
Alfonso Cuaron Orozco
Kind
Factories
Way
Define
Noise
Always
Sleep
Time
Doesn
Love
Wells
Well
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Factory

More quotes by Alfonso Cuaron

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I really believe there is the possibility of something great that can happen in the right hands.
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My mom, she was, she studied chemistry. And later on she changed and majored, she changed later in her career, in her life and studied philosophy and then she did a perfect clash, connection between chemistry and philosophy and she became a witch.
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I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
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Learn from your experience shooting your film, and then move on to the next.
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Historically, there is a fight between the sound designer and the composer. You see them in the mixing room and they're always fighting because the composer wants the music to be heard and the sound designer wants the sound to be heard.
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No 'rules.' What are you, British or something? I guess I'm too nice... No wonder people take advantage of me.
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When you work with kids, people tell you to be very delicate, but that's the last thing you should do with kids. They feel patronized if you're like that. They just want you to be normal.
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Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.
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Every film is difficult. Making films, you're always going to have problems, there's always going to be challenges.
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When I learned to switch jealousy for admiration, it unblocked a lot of things.
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The long takes process doesn't allow for that many takes. In the past I have shot over 50 takes of different shots. Sometimes you end up using take 64, sometimes take four.
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I used to be very controlling with visuals and editing, and I would pretty much craft the performances now I have learned to trust the material and the actors.
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I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.
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I was not aware of how much I loved 'Canoa' until I saw it after doing 'Y Tu Mama Tambien' and realized that my voice - over about the story's historical context - that narrator - came from 'Canoa'.
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Story is important but the most important is the theme and how you're going to convey theme cinematically. I'm a believer also.
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There is a certain thing that you have to just stick to the plan, stick to what you want to do, and you try to work with studios and executives that they get it.
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The great thing about the moon landing is that my grandmother got the first color TV in order to be able to see the moon landing that was in black and white.
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When you strip hope from people, it leaves a void, and that void needs to be filled. And very likely, that void is going to be filled by an ideology... Hope and faith are so connected. Now, when ideology connects with faith, the ideology becomes an item of faith, not a point of discussion.
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I guess I have a short attention span! I'm interested in new worlds, new universes, new challenges.
Alfonso Cuaron
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A lot of the films I like are more than fantasies - they're movies fascinated by the technology of space exploration, and they try to honor the laws of physics. I watched the Gregory Peck movie 'Marooned' over and over when I was a kid.
Alfonso Cuaron