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The amazing thing is that the more money it takes for a movie to get made, the more you feel like everybody wants you to fail.

Alfonso Cuaron

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Alfonso Cuaron
Age: 54
Cinematographer
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Television Actor
Television Director
Mexico City
Mexico
Alfonso Cuaron
Alfonso Cuarón Orozco
Alfonso Cuaron Orozco
Movie
Everybody
Money
Feel
Fail
Feels
Amazing
Thing
Failing
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What's the point of being an Australian guy traveling through India if you are going to go to India to meet other Australians?
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I think it's always important to give immediate positive reinforcement.
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A lot of the films I like are more than fantasies - they're movies fascinated by the technology of space exploration, and they try to honor the laws of physics. I watched the Gregory Peck movie 'Marooned' over and over when I was a kid.
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My mom, she was, she studied chemistry. And later on she changed and majored, she changed later in her career, in her life and studied philosophy and then she did a perfect clash, connection between chemistry and philosophy and she became a witch.
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We're born first humans then after they stamp our passport.
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As a director, you're only as good as your collaborators. You surround with collaborators that are going to understand what you're trying to do. Not only that, they're going to push and fight for what you're trying to do.
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The most important thematics in humanity I think that are completely universal and completely relatable from one person to the other. As long as, one more time going to back to the thematic, as long as you're truthful to that thematic, you can trust that that is going to transcend.
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The great thing about the moon landing is that my grandmother got the first color TV in order to be able to see the moon landing that was in black and white.
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No 'rules.' What are you, British or something? I guess I'm too nice... No wonder people take advantage of me.
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I think it is something that is so important, to be very aware of the direction in which the 21st century is going with all this blind faith in democracy. And by the way, I am not against democracy - I am against the blind faith that is being put in democracy.
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I used to be very controlling with visuals and editing, and I would pretty much craft the performances now I have learned to trust the material and the actors.
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There is a certain thing that you have to just stick to the plan, stick to what you want to do, and you try to work with studios and executives that they get it.
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The long takes process doesn't allow for that many takes. In the past I have shot over 50 takes of different shots. Sometimes you end up using take 64, sometimes take four.
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Historically, there is a fight between the sound designer and the composer. You see them in the mixing room and they're always fighting because the composer wants the music to be heard and the sound designer wants the sound to be heard.
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You can write a whole fiction, and you're talking to people who have gone through that, in real life. But the truth of it is that when you're talking to those people, you don't care about your movie anymore. You just want to hear about what they have gone through. You want all of the details. It's amazing.
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I love that process in which there is no safety net. Then the actor also can allow mistakes, because there's no such a thing as a mistake. You're working with good actors, that thing that starts as a mistake becomes actually the life of what is going to follow in the scene. I find that it is fantastic, and for me it is easier than for the actors.
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If I would rescue one of my movies, it would be 'A Little Princess.'
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I have my set rigged with the biggest sound system possible and have a mini jack for my iPod attached to my director's chair. I find playing music is a very direct way to communicate with actors and the crew, especially those crew members who are on the periphery of the set. I like dancing on set too, it's a good way to release tension.
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Technology is technology. Technology doesn't have a, it is not good or bad. Technologies are tools.
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I have this thing that, once I finish a movie, I never see it again.
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