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I was listening to a lot more folk music. I love the sound of acoustic guitars but I didn't want to be that person standing up there strumming away.

Alexis Taylor

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Alexis Taylor
Age: 44
Born: 1980
Born: April 20
Musician
London
England
Sound
Away
Didn
Strumming
Music
Guitars
Person
Acoustic
Love
Folk
Standing
Listening

More quotes by Alexis Taylor

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When a band first comes along, they should be confusing and doing something people don't accept. You don't want the first reaction to just be, Oh, I get that.
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I've always found it interesting when I'm the person in the audience feeling mismatched by what I've seen or heard. The shows I've taken the most from I may have not liked while I was there listening to it but, maybe an hour later, there's suddenly a lightening bolt out of the blue: Oh, I'd see them again.
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I like listening to music on a Discman, where the CD spins, and the fact that it's weird to listen to something on a Discman when most people have an iPod, even though those have an internal hard drive that's spinning, too.
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For me, the audience is the most important thing in the whole chain, so finding out how they respond to things is a learning curve at all times.
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That happens quite a lot in Hot Chip - you can let go of something that was originally essential to the creation of a song.
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I don't love CDs more than anything else, but I was just playing around with the idea that they could be something you're momentarily keeping hold of as everything is passing by.
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There's another thing that you don't want to take for granted, and that's the reality of there being an audience there each night. It's pretty amazing that that can happen around the world.
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I'll also listen to music on a Discman and realize how nice it can sound when it's not compressed to MP3 format.
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If you can do something that doesn't rely on a major melody but still sounds immediate rather than being obtuse and devoid of anything to catch onto, that's great.
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There is no decision to be more or less comic. I don't feel more or less humorous in my day-to-day. These things are accidental.
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It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, Was that good?
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It's funny, I played a social gig once - we were playing music that was rhythm based, but it was going in some strange places. Some people came up to me afterward and said, Can you play a tune that we'll all recognize? I've carried that with me forever - why would you want a tune you could recognize? What's the point of that?
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You're trying to make music, and then at the end of it you give reasons for everything.
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When you're making the record, you're not thinking about an audience, but you still need them and you want them.
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I like the fact that everyone is nostalgic for vinyl, and I'm being nostalgic for CDs, which are like the new outdated things that no one is going to mourn the loss of - everyone's already written them off.
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Some people are better at seeing things through to a logical conclusion as far as copying things they like from other people's records they understand what Brian Eno did and they just do it.
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A lot of people in the crowd want to be told what to do if you just put your hands up, they do it.
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I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.
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In the recording process, sometimes people feel that there isn't a space for them to contribute.
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I find it really disappointing and cheap when someone's copied the whole drum sound from a record.
Alexis Taylor