Quote

I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive that's not really the kind of music that I'm into.

Alexis Taylor

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Alexis Taylor
Age: 44
Born: 1980
Born: April 20
Musician
London
England
Would
Music
Hour
Like
Ever
Expect
People
Play
Playing
Pounding
Feel
Turn
Festival
Much
Stage
Aggressive
Kind
Hours
Sets
Something
Water
Fish
Really
Enjoy
Basically

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I find it really disappointing and cheap when someone's copied the whole drum sound from a record.
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I like the fact that everyone is nostalgic for vinyl, and I'm being nostalgic for CDs, which are like the new outdated things that no one is going to mourn the loss of - everyone's already written them off.
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To stop for years and then discover that the audience is getting smaller and smaller would be demoralizing.
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Some people are better at seeing things through to a logical conclusion as far as copying things they like from other people's records they understand what Brian Eno did and they just do it.
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I know that I can't ever write a song that just sounds completely saccharin. Even if I'm singing about someone being my complete love life, I'm singing about my own inabilities to be as bright as that person.
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We're still making Hot Chip records whilst doing these other things, so why not just try and make music you enjoy making rather than being tied down by things? It would just be crazy to not allow people to make music.
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When bands are on stage and they ask the crowd, Are you having a good time? what they're really saying is, I just want a bit of reassurance - is everything all right?
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I was listening to a lot more folk music. I love the sound of acoustic guitars but I didn't want to be that person standing up there strumming away.
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I like listening to music on a Discman, where the CD spins, and the fact that it's weird to listen to something on a Discman when most people have an iPod, even though those have an internal hard drive that's spinning, too.
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You're trying to make music, and then at the end of it you give reasons for everything.
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I've always found it interesting when I'm the person in the audience feeling mismatched by what I've seen or heard. The shows I've taken the most from I may have not liked while I was there listening to it but, maybe an hour later, there's suddenly a lightening bolt out of the blue: Oh, I'd see them again.
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When a band first comes along, they should be confusing and doing something people don't accept. You don't want the first reaction to just be, Oh, I get that.
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When you're making the record, you're not thinking about an audience, but you still need them and you want them.
Alexis Taylor