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I'll also listen to music on a Discman and realize how nice it can sound when it's not compressed to MP3 format.

Alexis Taylor

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Alexis Taylor
Age: 44
Born: 1980
Born: April 20
Musician
London
England
Listen
Realize
Realizing
Nice
Sound
Also
Music
Compressed
Format

More quotes by Alexis Taylor

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That happens quite a lot in Hot Chip - you can let go of something that was originally essential to the creation of a song.
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There is no decision to be more or less comic. I don't feel more or less humorous in my day-to-day. These things are accidental.
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I was listening to a lot more folk music. I love the sound of acoustic guitars but I didn't want to be that person standing up there strumming away.
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To stop for years and then discover that the audience is getting smaller and smaller would be demoralizing.
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If you can do something that doesn't rely on a major melody but still sounds immediate rather than being obtuse and devoid of anything to catch onto, that's great.
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It's not like that because the improvisation makes it automatically democratic. No one's leading anything. I didn't have to worry about anyone feeling involved. It was just the most natural, easy process of making music.
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It's funny, I played a social gig once - we were playing music that was rhythm based, but it was going in some strange places. Some people came up to me afterward and said, Can you play a tune that we'll all recognize? I've carried that with me forever - why would you want a tune you could recognize? What's the point of that?
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I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive that's not really the kind of music that I'm into.
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I've always found it interesting when I'm the person in the audience feeling mismatched by what I've seen or heard. The shows I've taken the most from I may have not liked while I was there listening to it but, maybe an hour later, there's suddenly a lightening bolt out of the blue: Oh, I'd see them again.
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A lot of people in the crowd want to be told what to do if you just put your hands up, they do it.
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When a band first comes along, they should be confusing and doing something people don't accept. You don't want the first reaction to just be, Oh, I get that.
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Starting out, I remember being on the same bill with other bands, and I always thought they were so much better because they were rehearsed and had all their moves down and they sounded really tight.
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When you're making the record, you're not thinking about an audience, but you still need them and you want them.
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I don't love CDs more than anything else, but I was just playing around with the idea that they could be something you're momentarily keeping hold of as everything is passing by.
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You're trying to make music, and then at the end of it you give reasons for everything.
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Some people are better at seeing things through to a logical conclusion as far as copying things they like from other people's records they understand what Brian Eno did and they just do it.
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I find it really disappointing and cheap when someone's copied the whole drum sound from a record.
Alexis Taylor
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It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, Was that good?
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For me, the audience is the most important thing in the whole chain, so finding out how they respond to things is a learning curve at all times.
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I like listening to music on a Discman, where the CD spins, and the fact that it's weird to listen to something on a Discman when most people have an iPod, even though those have an internal hard drive that's spinning, too.
Alexis Taylor