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The British feel of blues has been hard, rather than emotional. Far too much emphasis on 12 bar, too little attention to words, far too little originality.

Alexis Korner

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Alexis Korner
Age: 55 †
Born: 1928
Born: April 19
Died: 1984
Died: January 1
Disc Jockey
Guitarist
Musician
Singer
Singer-Songwriter
Songwriter
Paris
France
Littles
Emphasis
Little
Blues
Hard
Bars
Feel
British
Feels
Emotional
Much
Attention
Rather
Words
Originality

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Blues and jazz pulled me away from what was left of my family.
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I guess music, particularly the blues, is the only form of schizophrenia that has organised itself into being both legal and beneficial to society.
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Since the age of 12, all my musical thinking has been influenced by Afro-American music.
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I can't explain why one wants to pass a particular sort of pain onto other people, but you do.
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The parallel development in American blues to the British movement has resulted in Johnny Winters.
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I wanted to be able to play guitar. I wanted to be able to make music hurt.
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I'm a compulsive musician, but it's also a bloody good way out of having to do anything else.
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Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.
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In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues.
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If the same phrase in the same place created the right effect, I was perfectly prepared to use it every time. I wasn't worried that I wasn't improvising.
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When I reflect on how things have changed, I can't help but laugh.
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In those days, between the ages of 12 and 18 you meant nothing. You were the extra place at the side table if someone came to dinner. You were of no interest to anyone.
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Once you became associated with a children's show, you're finished.
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I must have been heavily schizophrenic all my life. The me who hears what the other me can't play is the dominant one.
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