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The British feel of blues has been hard, rather than emotional. Far too much emphasis on 12 bar, too little attention to words, far too little originality.

Alexis Korner

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Alexis Korner
Age: 55 †
Born: 1928
Born: April 19
Died: 1984
Died: January 1
Disc Jockey
Guitarist
Musician
Singer
Singer-Songwriter
Songwriter
Paris
France
Much
Attention
Rather
Words
Originality
Littles
Emphasis
Little
Blues
Hard
Bars
Feel
British
Feels
Emotional

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Every musical movement that is big enough has to produce some good musicians who wouldn't have had the incentive to start playing without it.
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I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz.
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I had always intended to make a living out of playing blues. But I never admitted it to myself. I don't suppose I could have given a logical reason for it ever becoming possible to do so.
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Once you became associated with a children's show, you're finished.
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When I reflect on how things have changed, I can't help but laugh.
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I must have been heavily schizophrenic all my life. The me who hears what the other me can't play is the dominant one.
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In 1940 I came across a record by Jimmy Yancey. I can't say how important that record is. From then on, all I wanted to do was play the blues.
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I wanted to be able to play guitar. I wanted to be able to make music hurt.
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I'm a compulsive musician, but it's also a bloody good way out of having to do anything else.
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