Quote

You can't rewind war. It spools on, and on, and on, looping and jumping, distorted and cracked with age, and the stories contract until only the nuggets of hatred remain and no one can even remember, or imagine, why the war was organized in the first place.

Alexandra Fuller

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Alexandra Fuller
Age: 55
Born: 1969
Born: January 1
Author
Journalist
Writer
Age
Cracked
War
Contract
Place
Jumping
Stories
Contracts
Remember
Organized
Looping
Firsts
Remain
Rewind
First
Hatred
Nuggets
Even
Imagine
Distorted

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FBI Girl is a gorgeous, sumptuous book. Conlon-McIvor takes a subject (herself and her family) that might have sunk in other hands, beats egg white under her words and the whole thing rises like a dream. It's a love story for her people and for a time and place. Read it.
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The rains are rhythmic, coming religiously in the afternoons (after lunch has been eaten but before tea, so that the nights are washed clean-black with bright pinpoints of silver starlight hanging over a restless, grateful earth).
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I had the constitution of a missionary.
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I listen mostly to classical music.
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There aren't enough doctors in Africa. Those who choose to become doctors here don't do it for the money or because they want to do good. They do it because they have to heal, the way most people need to breathe or eat or love.
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Until I read Anne Frank's diary, I had found books a literal escape from what could be the harsh reality around me. After I read the diary, I had a fresh way of viewing the both literature and the world. From then on, I found I was impatient with books that were not honest or that were trivial and frivolous.
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Surely until all of us own and honor one another's dead, until we have admitted to our murders and forgiven one another and ourselves for what we have done, there can be no truce, no dignity and no peace.
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This is not a full circle. It's life carrying on. It's the next breath we all take. It's the choice we make to get on with it.
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There's a point at which writing a book, or a long article, begins to feel like mental labor, and it's too painful to connect in the world in any real way mid-process. The only way to survive is to write until it is all said and done.
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How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.
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I am becoming increasingly difficult to please as a reader, but I adore being surprised by a really wonderful book, written by someone I've never heard of before.
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I love my mother so much, because I see the whole of her.
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It's a long day's drive any way you look at it. With a man who has taken your sins - real and imagined - and stitched them onto the sackcloth of his own soul, it is endless.
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In general, I almost always watch foreign films.
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In ways I don't entirely have the words for an experience, thought or a lesson isn't real for me until I've written down.
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What is important is the story. Because when we are all dust and teeth and kicked-up bits of skin - when we're dancing with our own skeletons - our words might be all that's left of us.
Alexandra Fuller
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But I plucked a new, different, worldly soul for myself -- maybe a soul I found in the spray thrown up by the surge of that distant African river as it plummets onto black rocks and sends up into the sun a permanent arc of a rainbow.
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You learn not to mourn every little thing out here, or you’d never, ever stop grieving.
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I always knew mum loved me - tough, look-after-yourself love, as if she knew she wouldn't always be there.
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One of the things about being raised British in Africa is that you get this double whammy of toughness. The continent in place itself made you quite tough. And then you've got this British mother whose entire being rejects 'coddling' in case it makes you too soft. So there's absolutely nothing standing between you and a fairly rough experience.
Alexandra Fuller