The main way I start to allocate color is that it comes from the comics. That's where it all starts from.

I look at comic books, and I do very eclectic mood boards with ideas and images that have to do with a character or story point. It's a bit like spinning plates. You gradually just steal your ideas.

Usually when you start the characters, the first thing is the script. Your design work is about telling the story. It's later that casting comes into play, but it's a huge component.

We should build respect and understanding between the diverse cultures of the world. We should help construct communities where people of different backgrounds can live together as neighbors. Freedom is something for which we must fight, not by limiting it but by strengthening it.

I think color, for a costume designer, is one of your biggest storytelling devices.

I use color very instinctively.