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I think about what movie I would like to see. I don't think of them as a correction or palliative. I certainly am irritated by anything that's shot in the Midwest and filled with these noble people. Oh, they're so good, and they're so honest... I'm not interested in that. I just think of what's right for a movie.

Alexander Payne

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Alexander Payne
Age: 63
Born: 1961
Born: February 10
Film Director
Film Producer
Screenwriter
Writer
Omaha
Nebraska
Right
Shot
Good
Noble
Would
Filled
Think
Certainly
Thinking
Interested
Palliative
Like
Honest
Correction
People
Movie
Midwest
Anything
Irritated

More quotes by Alexander Payne

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There is an audience out there for literate films - slower, more observant, more human films, and they deserve to be made.
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The best cinema is about ethics.
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I love comedies. I take comedy very seriously as a form. It's a serious form, involving a certain way of looking at life, specifically the painful aspects of life. I get asked, How can you have such failures in your films? Well, what else is life about? There's some sense of constant failure in something. Humor gives you a distance from it.
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I always wanted 'Sideways' to be like a great 1960s Italian film.
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Somewhat dramatic things happen, and you don't even always notice them — that's what life is.
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Each one of my movies becomes easier to get off the ground.
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In the moment of making films, I want to share my observations of life, not of other films.
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I like actors who, when you see them on screen, you sense a person, not just an actor.
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Just because I make films doesn't mean I think they're great. I just make them and then when I'm done with them I'm just a filmgoer like I always am. They're all lessons. I'm still in film school, honestly. And this one is just a dry run for whatever the next one is.
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I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
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A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.
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Marketing has supplanted story as the primary force behind the worthiness of making a film, and that's a very sad thing. It's film only as a function of consumerism rather than as an important component of our culture, and that's everywhere around the world.
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When I'm introduced as a two-time Oscar winner, I'm happy that a film of mine has found an audience and some acclaim because that keeps me in business. A filmmaker's greatest concern is the ability to make future films, so it helps keep me in business.
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Joe E. Lewis said, 'Money doesn't buy happiness but it calms the nerves.' And that is how I feel about a film being well-received.
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Comedy is a wonderful device for distance that allows us to look at what we're talking about with some degree of distance and hopefully with a bit more perspective and honesty. With many exceptions, a movie with no jokes is far less appealing to me.
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I think that Peter Jennings is the only decent one of the big three.
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Even if we die at 100, we're still dying young. I want at least 700 years. There's a lot of travelling and books to read and movies to see. I'm not going to squeeze it all in in 85 years.
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I've always approached screenplays and so forth with, How would it really happen? Not What's the movie version? but What's the real-life version? Then I just follow my nose.
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I think if you watch most of my films with the sound off, you could still tell what's going on.
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You just never know when you're living in a golden age.
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