Quote

I think about what movie I would like to see. I don't think of them as a correction or palliative. I certainly am irritated by anything that's shot in the Midwest and filled with these noble people. Oh, they're so good, and they're so honest... I'm not interested in that. I just think of what's right for a movie.

Alexander Payne

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Alexander Payne
Age: 63
Born: 1961
Born: February 10
Film Director
Film Producer
Screenwriter
Writer
Omaha
Nebraska
Anything
Irritated
Right
Shot
Good
Noble
Would
Filled
Think
Certainly
Thinking
Interested
Palliative
Like
Honest
Correction
People
Movie
Midwest

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I don't feel despair because I am able to make the films I want to make, and that gives me hope.
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A lot of people get stuck, like, Oh, if it's made by a studio, it can't be independent. Often they link it to the source of financing, or how it's distributed, but I don't really know how you can. A filmmaker will take his money from anywhere. It doesn't matter.
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But it's just that the whole country is making generally lousy films these days and has been for quite a while. That's the big problem that we all have to think about.
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I never wanted money worries to slow me down or make me take a job I didn't want.
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When you're a houseguest and you leave, it's nice to straighten something up or send your hosts a useful gift. And when you leave the planet, it's nice to have made a positive contribution.
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Adult movies with any artistic credit are released in the last quarter of the year and expected to gird for battle for Globes and Oscars. So the films aren't being seen just for themselves, but rather in a competitive context.
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I think that Peter Jennings is the only decent one of the big three.
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The biggest fear I have is to die with regrets, and of course that will come true.
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Cinema really lends itself well to big, archetypal stories, you know, classic old stories and you need kind of a weird, big terrain like the Japanese plains for Samurai movies or the West. You need that for these giants to walk around.
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Acting is a lot easier than people think it is.
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I don't want all of American cinema to be big cartoons that are just made to be digested by the entire world.
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It seems that our politicians see the world in black and white, so why not our artists? Did Woody Allen's 'Manhattan' have to be in black and white? No. But is it fantastic that it was? To see New York like that? Yes!
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My flag is always flying. My shingle is always out. I'm always looking for movie ideas. The hardest part of this whole movie-making endeavor is finding ideas. That's the real goal.
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As the years go by and I make more films, I am increasingly interested in capturing place as a vivid backdrop for my films.
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I think a badly crafted, great idea for a new film with a ton of spelling mistakes is just 100 times better than a well-crafted stale script.
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A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.
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In the moment of making films, I want to share my observations of life, not of other films.
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I like action films, not exclusively, but I like Samurai films. I like Westerns. Not so much war pictures, but a few. I like kinetic cinema.
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What science-fiction premises do is it gives you a what-if prism to look at the contemporary world with a wack on the side of the head.
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Somewhat dramatic things happen, and you don't even always notice them — that's what life is.
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