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Some couture collections have everything including the kitchen sink! Everything gets thrown on to make it look expensive.

Alexander McQueen

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Alexander McQueen
Age: 40 †
Born: 1969
Born: March 17
Died: 2010
Died: February 11
Artist
Designer
Fashion Designer
Lee Alexander McQueen
McQ
Gets
Couture
Look
Grotesque
Everything
Sink
Looks
Collections
Make
Kitchen
Thrown
Expensive
Including

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I like the concept of dressing people. I used to not care whether people bought the clothes or not, but I kind of like it now. I wouldn't label that commercialism it's more like I do this work because I want people to wear it.
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If you ask any lady they want to be taller, they want to be slimmer, you know, and they want a waist. I'm not here to make people look like a sack of potatoes.
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I am a melancholy type of person.
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Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not.
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I want to empower women.
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There is no way back for me now, I'm going to take you on journeys you've never dreamed possible
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It is important to look at death because it is a part of life. It is a sad thing, melancholy but romantic at the same time. It is the end of a cycle - everything has to end. The cycle of life is positive because it gives room for new things.
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If you're lucky enough to use something you see in a dream, it is purely original. It's not in the world - it's in your head. I think that is amazing.
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You've got to know the rules to break them.
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For people who know McQueen, there is always an underlying message. It's usually only the intellectual ones who understand what's going on in what I do.
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I hate it when people romanticize Scotland.
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I find beauty in the grotesque, like most artists.
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The reason I'm patriotic about Scotland is because I think it's been dealt a really hard hand. It's marketed the world over as . . . haggis . . . bagpipes. But no one ever puts anything back into it.
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The explosion of museum exhibitions is only a mirror image of what has happened to fashion itself this millennium. With the force of technology, instant images and global participation, fashion has developed from being a passion for a few to a fascination - and an entertainment - for everybody.
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I want to be honest about the world that we live in, and sometimes my political persuasions come through in my work. Fashion can be really racist, looking at the clothes of other cultures as costumes. . . . That’s mundane and it’s old hat. Let’s break down some barriers.
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As a designer, you've always got to push yourself forward you've always got to keep up with the trends or make your own trends. That's what I do.
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There has to be a balance between your mental satisfaction and the financial needs of your company. (But) I always remember that it's the fantasy, the artistic side, that makes customers want to buy the straightforward black pants.
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When a woman gets dressed up to go out at night, she wants to give 50% away, and hold the rest back. If you're an open book, there's no allure.
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It's the ugly things I notice more, because other people tend to ignore the ugly things.
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It's not my vision when I cover a woman's face with a chador. I got the idea from a 'National Geographic' photo. I'm just showing their plight in the world.
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