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Glasgow's not a media center. When you're there, when you're hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.

Alex Kapranos

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Alex Kapranos
Age: 52
Born: 1972
Born: March 20
Guitarist
Musician
Singer
Songwriter
Almondsbury
Gloucestershire
Alexander Paul Kapranos Huntley
Good
Movement
Glasgow
Like
Media
Fashions
Quite
Detached
Alone
Movements
Anything
Hanging
Feel
Center
Feels
Musical
Way
Fashion

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You really only understand whether a song's good or not when you properly play it out in public for the first time.
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Traditionally, lots of vagrants and unemployable characters wind up working in kitchens.
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You can't write for the cultural environment - if you do that, by the time it comes out, that cultural environment has passed. You have to be aiming for something that's original - that's the only way you can have any kind of impact.
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I want to make music that will make the blood surge in your veins, music that will get people up and dance.
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Cinema, which is influenced by every single part of life, is direct and reaches you immediately. And writing - the best writing is complex ideas communicated concisely. And music - if it's a good tune, make sure people can bloody hear it!
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It's fine to indulge yourself so long as you don't try and foist it on the rest of the world.
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Maybe 'Can't Stop Feeling' and 'Turn It On' we'll just release as singles. It's a thing The Beatles used to do which I really loved, the idea of releasing something as a single completely on its own.
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The internet is like a gossipy girls' locker room after school, isn't it?
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I think in the world of indie music there's this sort of false modesty.
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Although they might not admit it, I think girls are very aware of the impact that they're having. But they never feel it themselves, and it's impossible to explain. It's like trying to tell a blind person what yellow is.
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People's musical tastes are fickle, and music can be a fashion.
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The best songwriting comes from being as creative as you can and editing it down to the good bits, essentially.
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Music should be universal. My life perspective, my lifestyle - I'm not going to impose that on the people that listen to my music. That's kind of a perverse form of snobbery I like to reject.
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If success had come along when I was 17 it would either have killed me or sent me completely mad.
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There's a character that I play onstage, and I can't let him loose in the supermarket when I'm buying my beans on toast.
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Boho to me is a first-year student who's just discovered the tie-dye shop.
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Of course, there's a certain type of person who feels that anything which becomes mainstream has to be rejected immediately. And that's part of the indie-alternative snobbery and hierarchy and elitism.
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I want to change and try new ideas - allowing your sonic identity to evolve in your music and not being afraid of that. You see musicians hit upon something that works, and then go, Let's keep doing that for 10 years. And that idea kind of terrifies me a little bit. It becomes like a day job then.
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