Quote

Of course, there's a certain type of person who feels that anything which becomes mainstream has to be rejected immediately. And that's part of the indie-alternative snobbery and hierarchy and elitism.

Alex Kapranos

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Alex Kapranos
Age: 52
Born: 1972
Born: March 20
Guitarist
Musician
Singer
Songwriter
Almondsbury
Gloucestershire
Alexander Paul Kapranos Huntley
Persons
Immediately
Elitism
Person
Type
Snobbery
Feels
Becomes
Indie
Courses
Hierarchy
Course
Alternative
Part
Rejected
Certain
Mainstream
Anything
Alternatives

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There's a difference between expectations and aspirations.
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Boredom or being sick of what you've done before is a big part of being in a band.
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Being in a band didn't buy me my beans on toast!
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If success had come along when I was 17 it would either have killed me or sent me completely mad.
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The Beatles were huge for me, ... I used to jump around the room to the red album, the one with all the early hits on it. It made you feel euphoric. It was a sensation I couldn't get from anything else, whether it was playing football, swimming or even seeing 'Star Wars.'
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I want to make music that will make the blood surge in your veins, music that will get people up and dance.
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For me upward social mobility is possible through talent and hard work and is a glowing endorsement of the benefits of living in a modern capitalist society. It's not so much evidence of a meritocracy, as evidence of healthy nepotism. Nepotism is at the core of a good group dynamic. A good group dynamic is at the core of rock'n'roll.
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Maybe 'Can't Stop Feeling' and 'Turn It On' we'll just release as singles. It's a thing The Beatles used to do which I really loved, the idea of releasing something as a single completely on its own.
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I have always been fascinated by the concept of the villain and the hero being in one person.
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Glasgow's not a media center. When you're there, when you're hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.
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There are loads of bands I'd love to produce.
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Ambition is sneered at by some bands. It seems like a pretty good thing to me.
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Anyone can play an instrument if you show them how to move their limbs, lips or fingers the right way. It's irrelevant. What is relevant is personality, energy, creativity and disturbing sense of humour.
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I think a lot of bands are creatively knackered when they come off tour.
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I really want it to have an impact on the world. I want to be in a town on the other side of the world, and somebody walks up and says, 'That music you made in Glasgow, I listened to it every day, and it moved me.'
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It doesn't matter how adventurous you want to be, you've still got to contain your identity.
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Although they might not admit it, I think girls are very aware of the impact that they're having. But they never feel it themselves, and it's impossible to explain. It's like trying to tell a blind person what yellow is.
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I didn't grasp the basic principle of being a promoter, which was: Put on music but also generate an income. I was on the dole most of the time.
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Just because you can leap off a drum kit doing a scissors kick while hitting a chord, people expect you to be an extrovert socially. But I'm not always comfortable with the idea of small talk at a party.
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It's easy to be lazy when there's food lying around backstage or there's a fast-food joint a couple blocks away. But if you walk a little further, ask around a bit, of course there are exciting things to discover.
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