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Some people could say, I'd like something that's super dramatic and miserable and made me cry and made me sad forever but that's not my taste.
Alex Hirsch
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Alex Hirsch
Age: 39
Born: 1985
Born: June 18
Actor
Animator
Screenwriter
Storyboard Artist
Television Producer
Voice Actor
Piedmont
California
Alexander Robert Hirsch
Alexander Hirsch
Forever
Made
Something
Like
Super
People
Dramatic
Miserable
Cry
Taste
More quotes by Alex Hirsch
I absolutely love television. What's so great about TV is that I can tell 20 stories in a year. If I was working at a feature studio, I'd tell 1% of someone else's story, over the course of four years.
Alex Hirsch
I try to be a man of mystery. I try to keep the various projects I'm up to as close to the vest as possible until it's time to reveal them.
Alex Hirsch
I remember as a kid being scared of the things that go bump in the night, but I was way more scared of adults.
Alex Hirsch
You can look at a finale as chance to make an impact or a statement, to shock people or shoot a big cannon and make a loud noise.
Alex Hirsch
I've always loved The Simpsons, just because it was really, really funny. As a kid, you love the characters. You know that the dad is dumb and frustrated, and you know that the boy is smarter than everyone else around him and is constantly getting into mischief.
Alex Hirsch
I thought that was the coolest thing in the world, the idea of somebody trying to solve mysteries. I would see conspiracies in everything. I think I believed in leprechauns longer than any of my fellow classmates because I tried to catch them.
Alex Hirsch
I think twins can sometimes be shoved into the same mold and they can start to feel like they're not being given a chance to develop their own identities.
Alex Hirsch
Gravity Falls is a show about mysteries and magic but first and foremost it's a show about characters.
Alex Hirsch
When I was 12 years old, I was obsessed with codes, conspiracies, and secret messages. I would record TV commercials with SoundRecorder.exe on Windows 95 and reverse them to see if I was being subliminally influenced to watch Pokémon by Japanese spies.
Alex Hirsch
If you ask anyone in animation, how long they've been into animation, they'll pretty much always tell you that it's since they can remember, and I'm no exception.
Alex Hirsch
The most relevant misadventure that I had, as a kid, is when I remember being pretty convinced that leprechauns were real and that I was going to catch one.
Alex Hirsch
I'm a very relentless individual and have a lot more insanity coming.
Alex Hirsch
The concern about what's too violent or what's too scary is something that I just completely don't let enter into my creative process. I feel like, if I spend a lot of time trying to worry about whether it will appeal to everyone and who will like it and who won't, and I try to please everyone, I'll just spread myself too thin and lose my mind.
Alex Hirsch
Gravity Falls has transformed the children of America into an army of Dippers. I couldn't be more proud!
Alex Hirsch
Once you train an audience to look for significance, they start to find it everywhere.
Alex Hirsch
I believe that one of the reasons Gravity Falls is such an unusual place, maybe part of the reason that the stoplights switch on and off at random times and cell phones don't get proper reception and compasses spin wildly - is because of the strange kinetic influence of the UFO buried just underneath everyone's feet.
Alex Hirsch
I've always just loved drawing and loved cartoons. Growing up, I loved Disney films, I loved The Simpsons, and I was a big fan of the comic strip Calvin & Hobbes and the way that they would have weird fantasy and then down-to-earth funny character comedy.
Alex Hirsch
In terms of creative engagement, I just love being able to produce, produce, produce. You don't always get it perfect, but it has much more of an improvisational element, and you learn.
Alex Hirsch
My goal with Gravity Falls is to make people as paranoid and insane as I was as a child, and I'm delighted to see it's working!
Alex Hirsch
When you're doing an animated series, you tend to pitch storyboards. You write a script and then you draw a comic version of that script and put it up on big boards, and then you pitch it to a big room of executives and writers.
Alex Hirsch
