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The key relationship for writers in film is producers, because those are the first two people involved and the ones who work on it intensely in a private way without the big machinery of film.

Alex Garland

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Alex Garland
Age: 54
Born: 1970
Born: May 26
Film Director
Film Producer
Novelist
Screenwriter
Writer
London
England
Alexander Medawar Garland
Involved
Relationship
Film
Intensely
Without
Machinery
First
Producers
Work
Private
People
Writers
Ones

More quotes by Alex Garland

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Well, if there's an infinite amount of chances for something to happen, then eventually it will happen - no matter how small the likelihood.
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I can kid people, including myself, into believing that something on the page will work. But when you film it, you just think, Oh ....
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Though I walk through the valley of death I will fear no evil, for I am the evilest motherfucker in the valley
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Vietnam, me love you long time. All day, all night, me love you long time.
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Every dream that anyone ever has is theirs alone and they never manage to share it. And they never manage to remember it either. Not truly or accurately. Not as it was. Our memories and our vocabularies aren't up to the job.
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I do all this alone, everything I achieve, I achieve alone, because it's my head I'm locked into, and I share this space with nobody but myself.
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I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
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Waking was the most reliable part of a dream, as built into dreams as death is to life. You dream, you wake: you live, you die.
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The first I heard of the beach was in Bangkok, on the Ko Sanh Road.
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You fish, swim, eat, laze around, and everyone's so friendly. It's such simple stuff, but... If i could stop the world and restart life, put the clock back, i think I'd restart it like this. For everyone.
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There are one hundred glow-stars on my bedroom ceiling. (...) Glow-stars are strange. They make the ceiling disappear.
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When I see 'Sunshine,' I see a film that part of me is kind of very proud of and another part of me is very sad about, so it's a really complicated film for me. And I've never been really able to resolve all that in myself.
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By the time the plane was airborne I'd forgotten England even existed.
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I did keep a travel diary once and it was a big mistake. All I remember of that trip is what I bothered to write down.
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I carry a lot of scars. I like the way that sounds. I carry a LOT of scars.
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I wrote a whole novel before The Beach. Unpublishable. Junk. But, for some reason I stuck at novels and wrote a second. Still not sure why I didn't give up. Stubborn, maybe.
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I don't like dealing with money transactions in poor countries. I get confused between the feeling that I shouldn't haggle with poverty and getting ripped off
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As for me... I'm fine. I have bad dreams, but I never saw Mister Duck again. I play video games. I smoke a little dope. I got my thousand-yard stare. I carry a lot of scares. I like the way that sounds. I carry a lot of scares.
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Of course witnessing poverty was the first to be ticked off the list. Then I had to graduate to the more obscure stuff. Being in a riot was something I pursued with a truly obsessive zeal, along with being tear-gassed and hearing gunshots fired in anger.
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I used to think about video games, This is clearly an amazing, new narrative medium, and it's going to be mind-blowing when people get to grips with what's possible within this medium. It took us a century to get really good at film. Video games are at a much earlier stage.
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