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National parks, zoos, protected areas, polluted seas - using the whole world as a readymade, I thought about it as a stage set. To activate a stage set you need a drama, an actor to offset it.

Aleksandra Mir

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Aleksandra Mir
Age: 57
Born: 1967
Born: January 1
Artist
Drawer
Installation Artist
Painter
Printmaker
Visual Artist
Lüben
Actor
Seas
Stage
Protected
Actors
Parks
Thought
Using
Need
Drama
Offset
Whole
Areas
Polluted
Needs
Sea
Activate
World
National
Zoos

More quotes by Aleksandra Mir

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The Stonehenge proposal got a lot of interesting criticism. One of the best - or worst - said something like, Go home to Las Vegas. I think this project could possibly be realized at a very late part of my career. Right now, I don't have the authority, the budget, the credibility.
Aleksandra Mir
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The moment right now, it's a tragically regressive time we live in, you know. We just grounded the Concorde. Where's the future? We've lost the future.
Aleksandra Mir
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In a way I am saying the nation-state doesn't exist, borders don't exist, you can try going anywhere. It is a kind of pre-Internet consensus I always had in me.
Aleksandra Mir
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I'm depending on other people to take the work and run. And if they run in so many directions, they sort of cancel each other out. So the meaning is always open.
Aleksandra Mir
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My purpose isn't to be confrontational. My purpose is to find out about the world and play myself against it to the extent that it is even conceivable.
Aleksandra Mir
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I follow these intimate connections of strangers and, surprise!, end up finding even myself in the work at some point.
Aleksandra Mir
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I find myself doing fieldwork physically, in the tradition of anthropology. I literally go to the opposite end of the world, to the most exotic faraway places I possibly can, only to find the closest things to me when I get there.
Aleksandra Mir
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I think the wildest wildlife you can find these days is in Chernobyl, where wolves are running around breeding quite well in the nuclear disaster zones.
Aleksandra Mir
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Of course, I'd welcome protest. Good criticism is hard to find.
Aleksandra Mir
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I've gotten all kinds of reactions and it's been used in so many different ways.
Aleksandra Mir
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There are ends, occasionally, with projects. That happens. But they are natural dead ends. It's usually the outside situation that demands an ending. I never really settle for one.
Aleksandra Mir
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I think the optimal artwork is in constant circulation with the world around itself.
Aleksandra Mir
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Hello is pseudoscience. The only smart way to read it is not to believe in it, not to trust it, or to put yourself in it and imagine what's out there that you haven't been told or seen.
Aleksandra Mir
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I've made a poster at home. You know the iconic image of Che Guevara, the black and red graphic of his face? I think it's the perfect graphic, the best graphic ever made. I cut a Concorde out and put it over his head so it's Che looking up and the Concorde going by. Both are dead, maybe obsolete.
Aleksandra Mir
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I'm very jealous of an era where people were inventing something so beautiful as the Concorde and thinking that's the next step. I'm jealous of an era when people thought, Let's finally go to the Moon.
Aleksandra Mir
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I'm neither shy nor impressed by media and press. It's just another industry to me. My response to the criticism was, I work with a steel factory. Why can't I work with the media?
Aleksandra Mir
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I wanted to contribute to the landscape tradition in art. By now I guess we are comfortable with the thought that man has been everywhere or affected everything in nature.
Aleksandra Mir
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I try to make that tension almost stupidly overt in my projects, almost ridiculously so. I keep coming back to the same obvious points again and again.
Aleksandra Mir
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I wouldn't say the anthropologists were making art, but they were definitely justifying their practices with very personal reasoning, passion, and they were also experimenting with form. There was a sense of trying to be as sincere as possible, whether you were investigating something far away from you or very close.
Aleksandra Mir
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In 1989 I came to New York to go to the School of Visual Arts. Then, after two years, I switched over to the New School for Social Research and did cultural anthropology in the graduate school there.
Aleksandra Mir