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I think the wildest wildlife you can find these days is in Chernobyl, where wolves are running around breeding quite well in the nuclear disaster zones.

Aleksandra Mir

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Aleksandra Mir
Age: 57
Born: 1967
Born: January 1
Artist
Drawer
Installation Artist
Painter
Printmaker
Visual Artist
Lüben
Think
Nuclear
Chernobyl
Thinking
Days
Zones
Quite
Wildest
Running
Wolves
Around
Wildlife
Find
Breeding
Wells
Zone
Well
Disaster

More quotes by Aleksandra Mir

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The plane as an object has been a huge effort to make. It is a sculpture, a technological invention, a piece of aviation culture. But really, it only exists to be inserted into a variety of landscapes, to be a catalyst, to offset them.
Aleksandra Mir
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The Stonehenge proposal got a lot of interesting criticism. One of the best - or worst - said something like, Go home to Las Vegas. I think this project could possibly be realized at a very late part of my career. Right now, I don't have the authority, the budget, the credibility.
Aleksandra Mir
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Hello is pseudoscience. The only smart way to read it is not to believe in it, not to trust it, or to put yourself in it and imagine what's out there that you haven't been told or seen.
Aleksandra Mir
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In a way I am saying the nation-state doesn't exist, borders don't exist, you can try going anywhere. It is a kind of pre-Internet consensus I always had in me.
Aleksandra Mir
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I've gotten all kinds of reactions and it's been used in so many different ways.
Aleksandra Mir
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I've made a poster at home. You know the iconic image of Che Guevara, the black and red graphic of his face? I think it's the perfect graphic, the best graphic ever made. I cut a Concorde out and put it over his head so it's Che looking up and the Concorde going by. Both are dead, maybe obsolete.
Aleksandra Mir
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In 1989 I came to New York to go to the School of Visual Arts. Then, after two years, I switched over to the New School for Social Research and did cultural anthropology in the graduate school there.
Aleksandra Mir
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I'm so extremely well prepared for negative response, I've taken precautions.
Aleksandra Mir
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I try to make that tension almost stupidly overt in my projects, almost ridiculously so. I keep coming back to the same obvious points again and again.
Aleksandra Mir
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I find myself doing fieldwork physically, in the tradition of anthropology. I literally go to the opposite end of the world, to the most exotic faraway places I possibly can, only to find the closest things to me when I get there.
Aleksandra Mir
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People get upset when Baghdad, the Cradle of Civilization is burning, or when the Buddhas in Afghanistan are falling. These are real concerns.
Aleksandra Mir
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Seeing your work go into storage in an art museum is obviously a tragedy of any cultural product - which doesn't mean I am anti-institutional.
Aleksandra Mir
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There are ends, occasionally, with projects. That happens. But they are natural dead ends. It's usually the outside situation that demands an ending. I never really settle for one.
Aleksandra Mir
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Really the moment I decided I wanted to do art seriously, I left art school. I wanted to be with people who were interested in the same things I was: popular culture.
Aleksandra Mir
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Of course, I'd welcome protest. Good criticism is hard to find.
Aleksandra Mir
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The space program caused so much future-thinking in culture. People who couldn't go to the Moon were building space-fantasy chairs and corsets and hairdos and anything that they could put their hands on.
Aleksandra Mir
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Hello is always presented as a linear narrative, a singular chain, sometimes in a loop. But the reality of making it is that connections are naturally sprawling all over the place, so I am free to edit any way I want.
Aleksandra Mir
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I'm neither shy nor impressed by media and press. It's just another industry to me. My response to the criticism was, I work with a steel factory. Why can't I work with the media?
Aleksandra Mir
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I follow these intimate connections of strangers and, surprise!, end up finding even myself in the work at some point.
Aleksandra Mir
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Naming Tokyo kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them.
Aleksandra Mir