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You pick people, and they pick you sometimes. It's especially great to connect with people you think you have nothing in common with.

Aleksandra Mir

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Aleksandra Mir
Age: 57
Born: 1967
Born: January 1
Artist
Drawer
Installation Artist
Painter
Printmaker
Visual Artist
Lüben
Think
Connect
Thinking
Pick
People
Picks
Especially
Common
Nothing
Sometimes
Great

More quotes by Aleksandra Mir

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I've made a poster at home. You know the iconic image of Che Guevara, the black and red graphic of his face? I think it's the perfect graphic, the best graphic ever made. I cut a Concorde out and put it over his head so it's Che looking up and the Concorde going by. Both are dead, maybe obsolete.
Aleksandra Mir
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I think the wildest wildlife you can find these days is in Chernobyl, where wolves are running around breeding quite well in the nuclear disaster zones.
Aleksandra Mir
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The Stonehenge proposal got a lot of interesting criticism. One of the best - or worst - said something like, Go home to Las Vegas. I think this project could possibly be realized at a very late part of my career. Right now, I don't have the authority, the budget, the credibility.
Aleksandra Mir
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I'm so extremely well prepared for negative response, I've taken precautions.
Aleksandra Mir
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I wouldn't say the anthropologists were making art, but they were definitely justifying their practices with very personal reasoning, passion, and they were also experimenting with form. There was a sense of trying to be as sincere as possible, whether you were investigating something far away from you or very close.
Aleksandra Mir
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In a way I am saying the nation-state doesn't exist, borders don't exist, you can try going anywhere. It is a kind of pre-Internet consensus I always had in me.
Aleksandra Mir
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Really the moment I decided I wanted to do art seriously, I left art school. I wanted to be with people who were interested in the same things I was: popular culture.
Aleksandra Mir
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There are ends, occasionally, with projects. That happens. But they are natural dead ends. It's usually the outside situation that demands an ending. I never really settle for one.
Aleksandra Mir
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I find myself doing fieldwork physically, in the tradition of anthropology. I literally go to the opposite end of the world, to the most exotic faraway places I possibly can, only to find the closest things to me when I get there.
Aleksandra Mir
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Naming Tokyo kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them.
Aleksandra Mir
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I'm depending on other people to take the work and run. And if they run in so many directions, they sort of cancel each other out. So the meaning is always open.
Aleksandra Mir
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Seeing your work go into storage in an art museum is obviously a tragedy of any cultural product - which doesn't mean I am anti-institutional.
Aleksandra Mir
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Hello is pseudoscience. The only smart way to read it is not to believe in it, not to trust it, or to put yourself in it and imagine what's out there that you haven't been told or seen.
Aleksandra Mir
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People get upset when Baghdad, the Cradle of Civilization is burning, or when the Buddhas in Afghanistan are falling. These are real concerns.
Aleksandra Mir
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I try to make that tension almost stupidly overt in my projects, almost ridiculously so. I keep coming back to the same obvious points again and again.
Aleksandra Mir
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The space program caused so much future-thinking in culture. People who couldn't go to the Moon were building space-fantasy chairs and corsets and hairdos and anything that they could put their hands on.
Aleksandra Mir
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In 1989 I came to New York to go to the School of Visual Arts. Then, after two years, I switched over to the New School for Social Research and did cultural anthropology in the graduate school there.
Aleksandra Mir
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I think the optimal artwork is in constant circulation with the world around itself.
Aleksandra Mir
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I wanted to contribute to the landscape tradition in art. By now I guess we are comfortable with the thought that man has been everywhere or affected everything in nature.
Aleksandra Mir
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National parks, zoos, protected areas, polluted seas - using the whole world as a readymade, I thought about it as a stage set. To activate a stage set you need a drama, an actor to offset it.
Aleksandra Mir