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Hello is always presented as a linear narrative, a singular chain, sometimes in a loop. But the reality of making it is that connections are naturally sprawling all over the place, so I am free to edit any way I want.

Aleksandra Mir

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Aleksandra Mir
Age: 57
Born: 1967
Born: January 1
Artist
Drawer
Installation Artist
Painter
Printmaker
Visual Artist
Lüben
Sometimes
Chains
Loops
Way
Naturally
Edit
Always
Narrative
Edits
Connections
Singular
Free
Linear
Making
Presented
Place
Hello
Sprawling
Reality
Chain
Loop

More quotes by Aleksandra Mir

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I think the optimal artwork is in constant circulation with the world around itself.
Aleksandra Mir
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People get upset when Baghdad, the Cradle of Civilization is burning, or when the Buddhas in Afghanistan are falling. These are real concerns.
Aleksandra Mir
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I'm very jealous of an era where people were inventing something so beautiful as the Concorde and thinking that's the next step. I'm jealous of an era when people thought, Let's finally go to the Moon.
Aleksandra Mir
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I've made a poster at home. You know the iconic image of Che Guevara, the black and red graphic of his face? I think it's the perfect graphic, the best graphic ever made. I cut a Concorde out and put it over his head so it's Che looking up and the Concorde going by. Both are dead, maybe obsolete.
Aleksandra Mir
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I wouldn't say the anthropologists were making art, but they were definitely justifying their practices with very personal reasoning, passion, and they were also experimenting with form. There was a sense of trying to be as sincere as possible, whether you were investigating something far away from you or very close.
Aleksandra Mir
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I'm neither shy nor impressed by media and press. It's just another industry to me. My response to the criticism was, I work with a steel factory. Why can't I work with the media?
Aleksandra Mir
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National parks, zoos, protected areas, polluted seas - using the whole world as a readymade, I thought about it as a stage set. To activate a stage set you need a drama, an actor to offset it.
Aleksandra Mir
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The moment right now, it's a tragically regressive time we live in, you know. We just grounded the Concorde. Where's the future? We've lost the future.
Aleksandra Mir
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I follow these intimate connections of strangers and, surprise!, end up finding even myself in the work at some point.
Aleksandra Mir
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I'm so extremely well prepared for negative response, I've taken precautions.
Aleksandra Mir
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You pick people, and they pick you sometimes. It's especially great to connect with people you think you have nothing in common with.
Aleksandra Mir
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I wanted to contribute to the landscape tradition in art. By now I guess we are comfortable with the thought that man has been everywhere or affected everything in nature.
Aleksandra Mir
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In 1989 I came to New York to go to the School of Visual Arts. Then, after two years, I switched over to the New School for Social Research and did cultural anthropology in the graduate school there.
Aleksandra Mir
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Of course, I'd welcome protest. Good criticism is hard to find.
Aleksandra Mir
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The plane as an object has been a huge effort to make. It is a sculpture, a technological invention, a piece of aviation culture. But really, it only exists to be inserted into a variety of landscapes, to be a catalyst, to offset them.
Aleksandra Mir
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The space program caused so much future-thinking in culture. People who couldn't go to the Moon were building space-fantasy chairs and corsets and hairdos and anything that they could put their hands on.
Aleksandra Mir
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I try to make that tension almost stupidly overt in my projects, almost ridiculously so. I keep coming back to the same obvious points again and again.
Aleksandra Mir
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Naming Tokyo kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them.
Aleksandra Mir
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Seeing your work go into storage in an art museum is obviously a tragedy of any cultural product - which doesn't mean I am anti-institutional.
Aleksandra Mir
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The Stonehenge proposal got a lot of interesting criticism. One of the best - or worst - said something like, Go home to Las Vegas. I think this project could possibly be realized at a very late part of my career. Right now, I don't have the authority, the budget, the credibility.
Aleksandra Mir