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I wanted us to share the sense that the number of wrong moves far exceeds the number of good moves, to share the frightening instability of the correct decision, to bond in being confounded.
Aleksandar Hemon
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Aleksandar Hemon
Age: 60
Born: 1964
Born: September 9
Journalist
Novelist
Screenwriter
Writer
City of Sarajevo
Sense
Moves
Wanted
Correct
Good
Number
Confounded
Numbers
Exceeds
Share
Instability
Decision
Exceed
Wrong
Bond
Moving
Frightening
More quotes by Aleksandar Hemon
I cannot think of a country in which I would be happy with the government and dominant ideology and available propaganda.
Aleksandar Hemon
The perfect borscht is what life should be but never is.
Aleksandar Hemon
When I came to America, I was already a writer, already published in Bosnia. I was planning to go back, but I had no choice but to stay here after the civil war, so I enrolled at Northwestern in a master's program and studied American literature.
Aleksandar Hemon
You have to suspend thinking in narratives. The moment you are conscious of yourself the gap opens up. And in this gap, stories are generated.
Aleksandar Hemon
Memory narrativises itself.
Aleksandar Hemon
I think about the story while I think about other things. This is an important part of the process: I look at it sideways. If I look straight at it, it produces nothing other than what seem like complicated, brilliant designs that fall apart the following morning. In some way stories mature when you're not looking.
Aleksandar Hemon
We, as writers, have to figure out a way to create a consciousness in language. It's crazy even to attempt to do that.
Aleksandar Hemon
You can see the diversity that pieces in the anthology represent, and then the interconnections-obvious and less obvious-between various stories or between various modes of storytelling. Diversity generates need for conversation, conversation generates common interests, as well as differences. Literature, as a human project, is all about that.
Aleksandar Hemon
I have a hard time imagining a country or a government where I would say, Oh, this is good, where I could live under a government that I respect for a day or a week, even to see what it feels like.
Aleksandar Hemon
The incessant perpetuation of collective fantasies makes people crave the truth and nothing but the truth - reality is the fastest American commodity.
Aleksandar Hemon
It was always clear to me that I would have to earn my readers, some I would have to find, some to create.
Aleksandar Hemon
I actually didn't listen to the Beatles song 'Nowhere Man' when I was writing my book of the same name. What I listened to a lot was 'Abbey Road.' Its disjointedness and its readiness to confuse only to delight were inspiring to me.
Aleksandar Hemon
For a fight to be productive, or at least relevant, writers should fight over different demands they put upon writing (as an individual, private act) and literature (a network of relations in which we are all involved).
Aleksandar Hemon
I don't believe in inspiration. I write when I can't avoid writing anymore.
Aleksandar Hemon
We hated pretentiousness it was a form of self-hatred.
Aleksandar Hemon
A particular piece of music attaches itself to the piece I'm writing, and there is nothing else I can listen to. Every day I return to the same space to write, the music providing both the walls and the pictures on the walls.
Aleksandar Hemon
Writing is a mode of agency in the world that is different from mere employment. There has to be some sort of ethical or moral drive, even if you are unaware of it.
Aleksandar Hemon
Anything that might come under arts should not be subject to the whims of the idiotic market because the market's stupid, and it gravitates toward simplicity - towards essentializing things so they can be sold.
Aleksandar Hemon
I never thought of myself as an outsider. Because outside of what? You would have to give advantage to this space where you're not, to think of it as sovereign because you're not there. I was always in the center of where I needed to be.
Aleksandar Hemon
Literature is always something - it is either story or poetry, ideally both. That is, you always know what it is and even if the interpretation is not available, the experience of language is.
Aleksandar Hemon
