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The incessant perpetuation of collective fantasies makes people crave the truth and nothing but the truth - reality is the fastest American commodity.
Aleksandar Hemon
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Aleksandar Hemon
Age: 60
Born: 1964
Born: September 9
Journalist
Novelist
Screenwriter
Writer
City of Sarajevo
Truth
Crave
Nothing
Commodity
People
Collectives
Collective
Fantasy
Perpetuation
American
Fastest
Makes
Incessant
Reality
Fantasies
More quotes by Aleksandar Hemon
Even if you tried to extinguish your personality, what is left in the story will reflect it, perhaps by its negation. Our lives provide the bricks from which we build these cathedrals.
Aleksandar Hemon
Washington D.C.! Congress is full of self-declared outsiders.
Aleksandar Hemon
Chicago is not a bad place to live. But the usual story of immigration is the happy fulfillment of human potential in America that is not available anywhere else - it's propaganda, really. It's more complicated than that.
Aleksandar Hemon
What I was interested in is the lens organizing my sovereign space. I avoid the term outsider and also exile for the same reason. Outsider implies a kind of nobility.
Aleksandar Hemon
I've read books in school that were written by ideological rote - they were brainwashers. Therefore, any art, any literature, that has a clearly defined political goal is repellent to me.
Aleksandar Hemon
The beauty of literature - also its limit - is that it is inescapably personal, even if you're writing science fiction.
Aleksandar Hemon
Writing is a mode of agency in the world that is different from mere employment. There has to be some sort of ethical or moral drive, even if you are unaware of it.
Aleksandar Hemon
It is so much easier to deal with the dead than with the living. The dead are out of the way, merely characters from stories about the past, never again unreadable, no misunderstandings possible, the pain coming from them stable and manageable. nor do you have to explain yourself to them, to justify the fact of your life.
Aleksandar Hemon
I loved you because there was no other place for me to go. We were married because we did not know what else to do with each other. You never knew me, nothing about me, what died inside me, what lived invisibly.
Aleksandar Hemon
You can see the diversity that pieces in the anthology represent, and then the interconnections-obvious and less obvious-between various stories or between various modes of storytelling. Diversity generates need for conversation, conversation generates common interests, as well as differences. Literature, as a human project, is all about that.
Aleksandar Hemon
I am a writer, which means I write stories, I write novels, and I would write poetry if I knew how to. I don't want to limit myself.
Aleksandar Hemon
I'm not nervous if I think about something for nine years and then I don't write it. Even if it fades it doesn't concern me. It'll come back if it's worth it.
Aleksandar Hemon
I don't know the numbers, but roughly half of the people who came through Ellis Island returned home. They came here to make money, not to make history.
Aleksandar Hemon
A particular piece of music attaches itself to the piece I'm writing, and there is nothing else I can listen to. Every day I return to the same space to write, the music providing both the walls and the pictures on the walls.
Aleksandar Hemon
I do have a sense of displacement as constant instability — the uninterrupted existence of everything that I love and care about is not guaranteed at all. I wait for catastrophes.
Aleksandar Hemon
Whatever solidarity I have established with other writers individually, it is usually organized around books. We connected as readers, as it were, not writers.
Aleksandar Hemon
Time does nothing but hand you down shabbier and older things.
Aleksandar Hemon
I wanted us to share the sense that the number of wrong moves far exceeds the number of good moves, to share the frightening instability of the correct decision, to bond in being confounded.
Aleksandar Hemon
Cliché activates the comfortable mental laziness, we sort of revert to the domain of the already-familiar, what we have already imagined so that it doesn't seem that bad.
Aleksandar Hemon
I wish I could avoid the people who have threatened me. My favorite threat is that I will be thrown in the River Miljacka, which is at most knee-deep, with my feet bound in cement.
Aleksandar Hemon