Quote

Your nightmares follow you like a shadow, forever.

Aleksandar Hemon

Change background

T
T
T

Change font

TAGS & TOPICS

Aleksandar Hemon
Age: 60
Born: 1964
Born: September 9
Journalist
Novelist
Screenwriter
Writer
City of Sarajevo
Nightmares
Nightmare
Shadow
Follow
Forever
Like

More quotes by Aleksandar Hemon

Image
As long as there are living human beings, there will be language and stories.
Aleksandar Hemon
Image
I spotted a can in the corner whose red label read SADNESS. Was there so much of it they could can it and sell it? A bolt of pain went through my intestines before I realized that it was not SADNESS but SARDINES.
Aleksandar Hemon
Image
People will always tell stories. The publishing industry might vanish, but not stories.
Aleksandar Hemon
Image
We dreamt of light, but hoped for darkness.
Aleksandar Hemon
Image
Politics imagined as direct agency, whether by voting or by participating in politics, you can think you're not political because you don't do anything between elections.
Aleksandar Hemon
Image
The beauty of literature - also its limit - is that it is inescapably personal, even if you're writing science fiction.
Aleksandar Hemon
Image
I never thought of myself as an outsider. Because outside of what? You would have to give advantage to this space where you're not, to think of it as sovereign because you're not there. I was always in the center of where I needed to be.
Aleksandar Hemon
Image
The way I think of my work is that I have to think up the way to tell a story, starting from scratch. The changes in the industry concern me in a general way because I think civilization is doomed.
Aleksandar Hemon
Image
I don't know the numbers, but roughly half of the people who came through Ellis Island returned home. They came here to make money, not to make history.
Aleksandar Hemon
Image
You devise ways to tell a story that complies with your sensibility. Style and method are really extensions of your present sensibility.
Aleksandar Hemon
Image
We apply the language that is comforting and comfortable and familiar in order to grasp that which confuses and scares us. That is the first step toward cliché and stereotype, as they're comforting devices. They reduce the confusing world to the already familiar. We're always smoothing out the bumps of actual living to turn it into narratable life.
Aleksandar Hemon
Image
Europe has never been a monolithic space, it contains a lot of people, a lot of languages and infinite supplies of history. I didn't need to do anything to showcase diversity. It is a condition of life and art in Europe, contained in every random sample.
Aleksandar Hemon
Image
Rilke said that art can come only out of inner necessity. I write because I must. Or because I cannot not write.
Aleksandar Hemon
Image
We, as writers, have to figure out a way to create a consciousness in language. It's crazy even to attempt to do that.
Aleksandar Hemon
Image
I do have a sense of displacement as constant instability — the uninterrupted existence of everything that I love and care about is not guaranteed at all. I wait for catastrophes.
Aleksandar Hemon
Image
What I was interested in is the lens organizing my sovereign space. I avoid the term outsider and also exile for the same reason. Outsider implies a kind of nobility.
Aleksandar Hemon
Image
I suppose I'm interested in sorrow, which is very different from depression or despair. Sorrow is continuous with the world it allows for creativity.
Aleksandar Hemon
Image
I wanted us to share the sense that the number of wrong moves far exceeds the number of good moves, to share the frightening instability of the correct decision, to bond in being confounded.
Aleksandar Hemon
Image
You don't want your neurosurgeon to have doubts about the meaning of it all while he or she is operating on your brain.
Aleksandar Hemon
Image
I loved you because there was no other place for me to go. We were married because we did not know what else to do with each other. You never knew me, nothing about me, what died inside me, what lived invisibly.
Aleksandar Hemon