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I personally can't handle frivolous violence. I overreact to it.

Alejandro Gonzalez Inarritu

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Alejandro Gonzalez Inarritu
Age: 61
Born: 1963
Born: August 15
Composer
Director
Film Director
Film Editor
Film Producer
Screenwriter
Mexico City
Mexico
Alejandro G. Iñárritu
Iñárritu
Overreact
Frivolous
Personally
Handle
Violence

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I always think politicians and even my dentist have more egos than actors.
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It's more enjoyable for me to know that life is finite. Knowing that, I would like to go to a party.
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There's nothing better than being in a film that translates to audiences and makes people think and feel good and walk away with great revelations in their own life of some kind. But when the process and the experience and the fun of that matches, it's a good feeling.
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Really, I'm a neurotic perfectionist. Every single word in the script is the one that I want.
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Maybe next year the government might impose some immigration rules on the academy. Two Mexicans in a row is suspicious. [On Mexican immigrants in the US] I hope they can be treated with respect of the ones who came before and built this incredible immigrant nation.
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For me, it's not about masochism to talk about death. For me, it's about observing life through death, from the last point of it.
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As a sensitive filmmaker, I think you have to really be careful in how you explore it. Not that you can't tell any story you want - I'm not calling for censorship or anything. But if you're going to have violence, I think it's important to deal with the consequences of that on a human level, not just to make people laugh.
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Fear is the condom of life. It doesn't allow you to enjoy things.
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The actors make the film. They're the ones that take this theoretical movie that's in your head and make it real. The success of a film is entirely on their shoulders. I admire them, because acting is such a difficult thing to do, and I personally can't understand it.
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The way America sees Mexico, if they have any sense of it, is like Taco Bell. Our countries are neighbors, and the only hard food to get in America is true Mexican. It's impossible to find, even in L.A. Why is that?
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All my films have always been released in the autumn, maybe because they're more melancholy to people.
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I made commercials for corporations like Volkswagen and Coca-Cola, but I was always the one to write them, too, which was a very good exercise, because I learned to tell little stories.
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I saw what I could [in Mexico City], but we rarely got anything other than big, mainstream American films.
Alejandro Gonzalez Inarritu
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I hate superficial violence. It's shallow and stupid, and the impact on the audience is really bad.
Alejandro Gonzalez Inarritu
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I remember, the first time I saw a [Andrei] Tarkovsky film, I was shocked by it. I didn't know what to do. I was fascinated, because suddenly I realized that film could have so many more layers to it than what I had imagined before. Then others, like Kurosawa and Fellini, were like a new discovery for me, another country.
Alejandro Gonzalez Inarritu
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I was a street kid, basically. But really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.
Alejandro Gonzalez Inarritu
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I didn't have a normal academic career. I never studied cinema. I learned from life.
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Life and death are illusions. We are in a constant state of transformation.
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I think the arts should get big support, but my country has a lot of needs more important than film. Medication, education, food... The poverty is overwhelming. There are simply more important things to be attended to.
Alejandro Gonzalez Inarritu
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When I went to university, I finally got exposed to European films, and they had a strong impact on me. I felt those films had a lot of things to say that weren't getting expressed in the films I was used to seeing.
Alejandro Gonzalez Inarritu