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You can photograph anything. You can be inside, outside, doesn't matter, you're controlling the light. It gives you great flexibility. That was a primary motivation.

Alec Soth

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Alec Soth
Age: 55
Born: 1969
Born: January 1
Photographer
Minneapolis
Minnesota
Giving
Motivation
Great
Outside
Gives
Inside
Doesn
Controlling
Light
Flexibility
Anything
Primary
Matter
Photograph

More quotes by Alec Soth

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Watching my daughter sort of live in this world where a photograph is not something to keep a memory. It's something to just speak with. It's language.
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I've never been comfortable photographing people I know, myself included. I guess I prefer the mystery of strangers.
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I'm a project-based photographer I think in narrative terms, the way a writer thinks of a book, or a filmmaker a film.
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For me, the act of photography is all about discovery and finding new things.
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Whether you are Minor White or Robert Frank, almost every photograph starts with an act of pure description - a window. But every now and then you catch a glimpse of the photographer's reflection. The mirror is just another function of the window.
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Photography, for me, is a lot like web surfing in real life.
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People can talk about the death of social life or whatever it's not necessarily how I see it. It's more musical in the sense, where it's a feeling about the place I live, slash, who I am in the place.
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Photography is a very lonely medium. There’s a kind of beautiful loneliness in voyeurism. And that’s why I’m a photographer.
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I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.
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The reason I often say, for me, photography is analogous to poetry, for my kind of work more so than journalism, is because it's so open to interpretation. And I'm very happy having different interpretations of it.
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[Photography is] very related to poetry. It's suggestive and fragmentary and unsatisfying in a lot of ways. It's as much about what you leave out as what you put in.
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Photography's future is infinite and bright. It's growing exponentially, so that's great, but for me as a practitioner, that exponential growth makes it even more problematic. And so for me, it's got me more engaged with storytelling.
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It's a weird combination that makes a great picture. It's a complete mystery to me.
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In a world where the 2 billionth photograph has been uploaded to Flickr, which looks like an Eggleston picture! How do you deal with making photographs with the tens of thousands of photographs being uploaded to Facebook every second, how do you manage that? How do you contribute to that? What's the point?
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Nobody really wants to be alone. People need people.
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I didn't want to pretend to be a conceptual artist that charges $10,000 for an experience. It's just not what I am. I'm a photographer and I make prints. And people buy a print, and I understand that. But I'm uncomfortable with buying an experience.
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I admire photographers that don't need a destination. In some ways, street photography is like that. There's a quality of wanderlust for sure in my work, but I need a destination.
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For good work to develop the technology needs to become as stable and functional as a typewriter.
Alec Soth
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I'm like the annoying guy in the street.
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If limitation spawns creativity, is the limitless resource of the Internet a good thing?
Alec Soth