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For me, it was watching 'Reds' and 'Splendor in the Grass.' To me, 'Splendor' is like the companion piece to 'Rules Don't Apply.' It's set in the time when Warren [Beatty] came to Hollywood, and when he did that first film.

Alden Ehrenreich

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Alden Ehrenreich
Age: 35
Born: 1989
Born: November 22
Actor
Film Actor
Television Actor
LA
California
Alden Caleb Ehrenreich
Firsts
Grass
First
Piece
Time
Rules
Like
Watching
Reds
Hollywood
Warren
Pieces
Splendor
Came
Apply
Film
Companion

More quotes by Alden Ehrenreich

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I'm trying to make myself sound better.
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I've always felt whatever the opposite of disillusioned is. I guess illusioned with movies and with people in movies and things like that. It's all exciting to me.
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Their way of working [the Coen brothers] is always kept pretty mysterious. I was so curious to see how they make these movies. It was just such a joy - they seem to have so much fun making their movies.
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I'm just excited to be a part of the movie [Star Wars]. It's always the particulars that are the most exciting.
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But even a kid, directing was something that I did. I made short films in school. I feel like I've been in the best film school in the world.
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I did my first film with Francis Ford Copploa which spoiled the hell out of me.
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You get bummed out, and then you go, Oh! Now I get to go buy a present for myself. That kind of helps.
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I think you always feel like you're about a hair's breadth away from being a bad actor anyway... It's not too hard to let the rope go slack, so to speak.
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I met Scarlett [Johansson] briefly, but Josh [Brolin] and George [Clooney], in particular, were so welcoming and so inclusive and really brought me into the fold from the beginning. They were just very considerate of me, and it meant a lot [shootong Hail, Caesar!].
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For me, the drive is storytelling. To be a part of an art that tells a story and to be a catalyst, a color in that, is very exciting.
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[Warren Beatty] definitely sees 'Rules' as a comedic consequence to the American sexual puritanism that is dramatically presented in 'Splendor.'
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Some movies, I think, present ideas of the world that just don't help people with their lives. They just present things that are fleeting or stupid. So that's what I'm careful about - making sure I'm part of something that is saying something that I think is valuable in the world of people, not necessarily in the world of art.
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An era that I specifically like is sort of late 50's, early 60's. I guess mid 50's too. I like these types of films that deal with post WWII America and this more complex leading man that kind of emerges from that.
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I had one line. My two larger scenes had gone fine, and then on that day I screwed up that line over and over and over again. And every time I screwed it up, they can't use the whole thing because they're only using the one shot [in Blue Jasmin]. That was my last day.
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Whenever you hear somebody else is auditioning for something, you sort of assume they're going to get it. You should try to just ignore it. I don't find it very helpful to know who else is going up for stuff, generally.
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I'm an actor because I love movies, and always have loved movies. I'm a film buff. So, getting to work with those kinds of directors and getting to tell those stories is what I want to do.
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[ Woody Allen] persona in the films are so iconic it's like on par with Groucho Marx or something like that.
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The idea of it [Star Wars] is really exciting, but the most fun part is the actual job you get to do: the character that you get to play, the people that you work with, the day-to-day experience.
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I'd never worked with an actor-director before [Warren Beatty].
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You do need these people to go out on a limb for you, thinking you're right for a role rather than having box office numbers.
Alden Ehrenreich