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That is sort of the eternal question for people who go to Hollywood...what will be the straw that breaks the camel's back, and forces you to think about doing something else? When do you throw in the towel?
Alden Ehrenreich
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Alden Ehrenreich
Age: 35
Born: 1989
Born: November 22
Actor
Film Actor
Television Actor
LA
California
Alden Caleb Ehrenreich
Break
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More quotes by Alden Ehrenreich
The actors at that time had to learn all that stuff, it wasn't just hyperbole. What was appealing to me about being an actor at that time is that there was a home base, with job security. You were employed on a regular basis, and you had to sometimes do things you didn't want to do, but it was there. I also liked Hobie Doyle positivity.
Alden Ehrenreich
For me, the drive is storytelling. To be a part of an art that tells a story and to be a catalyst, a color in that, is very exciting.
Alden Ehrenreich
But even a kid, directing was something that I did. I made short films in school. I feel like I've been in the best film school in the world.
Alden Ehrenreich
[Warren Beatty] will sometimes spend hours on a very small detail to make sure he gets it right. After the kind of work that he's made, he certainly doesn't have to be doing that.
Alden Ehrenreich
I met Scarlett [Johansson] briefly, but Josh [Brolin] and George [Clooney], in particular, were so welcoming and so inclusive and really brought me into the fold from the beginning. They were just very considerate of me, and it meant a lot [shootong Hail, Caesar!].
Alden Ehrenreich
I think you always feel like you're about a hair's breadth away from being a bad actor anyway... It's not too hard to let the rope go slack, so to speak.
Alden Ehrenreich
I auditioned for four or five years and didn't get anything after that.
Alden Ehrenreich
I had one line. My two larger scenes had gone fine, and then on that day I screwed up that line over and over and over again. And every time I screwed it up, they can't use the whole thing because they're only using the one shot [in Blue Jasmin]. That was my last day.
Alden Ehrenreich
That was cool, because they've all [ George Clooney and Josh Brolin and Scarlett Johansson] worked with the Coens. They were much more at ease with them at the outset, and they were all kind of familiar with the shorthand that the Coens had.
Alden Ehrenreich
Same with the Coen brothers and Warren [Beatty]. And then slowly you get to know each one of them as a person, and that becomes a kind of separate entity, where you just know the human being.
Alden Ehrenreich
It was pretty fun [auditioning on the Millennium Falcon], because I enjoyed the material a lot. Last year I read for the directors, then came to England and did a test on the Falcon, then came back and did a couple more screen tests in Los Angeles.
Alden Ehrenreich
Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.
Alden Ehrenreich
When Tetro came out, I met with Warren Beatty for the first time. I had, like, a four-and-a-half-hour lunch with him, and then over the next five years continued to meet with him and go to his house.
Alden Ehrenreich
Even though I grew up in L.A., no one in my family was in the movie industry.
Alden Ehrenreich
The movie [Blue Jasmin] shot very quick. I met Cate Blanchett in the car on the way to set, and we did that last scene, and she was just so phenomenal. I had basically met her that day. Because the way he shoots, everybody just shows up and does their thing, and he moves us very quickly.
Alden Ehrenreich
I really want to be a part of those movies that say something good to a lot of people.
Alden Ehrenreich
There's a lot of complicated magical reasons why I'm not at the party that are too long and semantic to go into.
Alden Ehrenreich
I got turned down for a million jobs until I got my first movie with Francis [Ford Coppola].
Alden Ehrenreich
An era that I specifically like is sort of late 50's, early 60's. I guess mid 50's too. I like these types of films that deal with post WWII America and this more complex leading man that kind of emerges from that.
Alden Ehrenreich
Warren [Beatty] was very adamant and very encouraging of me to direct. It's definitely something that I'd like to pursue more in the future.
Alden Ehrenreich