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[Woody Allen] does very few takes, and he doesn't give a whole ton of directions, although he does give direction.

Alden Ehrenreich

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Alden Ehrenreich
Age: 35
Born: 1989
Born: November 22
Actor
Film Actor
Television Actor
LA
California
Alden Caleb Ehrenreich
Direction
Although
Takes
Doesn
Doe
Give
Allen
Whole
Woody
Giving
Directions

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You do need these people to go out on a limb for you, thinking you're right for a role rather than having box office numbers.
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But even a kid, directing was something that I did. I made short films in school. I feel like I've been in the best film school in the world.
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You get bummed out, and then you go, Oh! Now I get to go buy a present for myself. That kind of helps.
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One of the big takeaways from that experience [in Blue Jasmin] was just what a thrill it was to act with somebody like Cate Blanchett operating on that caliber. Because what she was doing was very powerful. T
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[Warren Beatty] will sometimes spend hours on a very small detail to make sure he gets it right. After the kind of work that he's made, he certainly doesn't have to be doing that.
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I've definitely been spoilt. Every movie I've done, it's always the same criteria: finding a great story, and finding a great part to play.
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I've always felt whatever the opposite of disillusioned is. I guess illusioned with movies and with people in movies and things like that. It's all exciting to me.
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I had the opportunity to learn more about what life is like for a soldier [in The Yellow Birds].
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I did my first film with Francis Ford Copploa which spoiled the hell out of me.
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I buy myself a present whenever I don't get a role that I really wanted.
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I think you always feel like you're about a hair's breadth away from being a bad actor anyway... It's not too hard to let the rope go slack, so to speak.
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Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as Woody Allen to me.
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When I was 14 years old, I was by no means trying to work professionally at all.
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Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.
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For me, the drive is storytelling. To be a part of an art that tells a story and to be a catalyst, a color in that, is very exciting.
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I feel about romance the same way I do about a vocation it's a calling.
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Same with the Coen brothers and Warren [Beatty]. And then slowly you get to know each one of them as a person, and that becomes a kind of separate entity, where you just know the human being.
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When I worked with anybody like Woody Allen, there's the name, and your understanding of who they are before you meet them, that stays in your head a little bit.
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I really want to be a part of those movies that say something good to a lot of people.
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[Howard Hughes ] approached filmmaking like he approached all of his inventiveness - it gave him an opportunity to make a name for himself in the world.
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