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I got turned down for a million jobs until I got my first movie with Francis [Ford Coppola].
Alden Ehrenreich
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Alden Ehrenreich
Age: 34
Born: 1989
Born: November 22
Actor
Film Actor
Television Actor
LA
California
Alden Caleb Ehrenreich
Millions
Movie
Jobs
Firsts
Coppola
First
Francis
Ford
Turned
Million
More quotes by Alden Ehrenreich
Even though I grew up in L.A., no one in my family was in the movie industry.
Alden Ehrenreich
With 'Hail, Caesar!' it was about all the skill sets I had to learn, but each movie requires a different way of working. You're a piece in a new world, and there is always a difficult part within that world. For me, it's not consistent from movie-to-movie, each film has a central challenge.
Alden Ehrenreich
I've definitely been spoilt. Every movie I've done, it's always the same criteria: finding a great story, and finding a great part to play.
Alden Ehrenreich
I remember calling and asking, because I had a few lines that were like, How could the character have done this? and I hadn't read the part of the script that said what she [ Cate Blanchett] did, so they put me on the phone with Woody... Allen. I don't know if I could really say Woody.
Alden Ehrenreich
I really want to be a part of those movies that say something good to a lot of people.
Alden Ehrenreich
When I worked with anybody like Woody Allen, there's the name, and your understanding of who they are before you meet them, that stays in your head a little bit.
Alden Ehrenreich
Woody Allen is kind of the one example I don't have. Because the way he works and the amount of shooting time that I did on that film, I didn't really get to know him, so he kind of stays as Woody Allen to me.
Alden Ehrenreich
[Warren Beatty] will sometimes spend hours on a very small detail to make sure he gets it right. After the kind of work that he's made, he certainly doesn't have to be doing that.
Alden Ehrenreich
Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.
Alden Ehrenreich
I met Scarlett [Johansson] briefly, but Josh [Brolin] and George [Clooney], in particular, were so welcoming and so inclusive and really brought me into the fold from the beginning. They were just very considerate of me, and it meant a lot [shootong Hail, Caesar!].
Alden Ehrenreich
Some movies, I think, present ideas of the world that just don't help people with their lives. They just present things that are fleeting or stupid. So that's what I'm careful about - making sure I'm part of something that is saying something that I think is valuable in the world of people, not necessarily in the world of art.
Alden Ehrenreich
The movie [Blue Jasmin] shot very quick. I met Cate Blanchett in the car on the way to set, and we did that last scene, and she was just so phenomenal. I had basically met her that day. Because the way he shoots, everybody just shows up and does their thing, and he moves us very quickly.
Alden Ehrenreich
It's a little bit about how I felt about Hail, Caesar! and now Star Wars. I could not have predicted those things happening to me. But I'm just happy they come along.
Alden Ehrenreich
Basically, Beautiful Creatures was the first lead that I had since Tetro, and it was a lesson in seeing what it's like to film a movie that's of a much bigger scale. It was a good initiation.
Alden Ehrenreich
For me, each one of those experiences stands on its own. The first one was with Steven Spielberg, who helped me to get an agent and vouch for me, and that gave me the confidence to continue.
Alden Ehrenreich
So many times you can't get a foot in the door unless you're already in the room.
Alden Ehrenreich
My parents weren't involved in show business but my parents would show me. We'd watch old films in the house.
Alden Ehrenreich
Let's say [Warren Beatty] wants you to speak louder in a scene. He won't stop playing the role and say to you as a director, Will you speak louder on the next take? He'll say it as Howard Hughes: I can't totally hear you. Why don't you speak up a little bit? To kind of keep this rhythm going.
Alden Ehrenreich
I had one line. My two larger scenes had gone fine, and then on that day I screwed up that line over and over and over again. And every time I screwed it up, they can't use the whole thing because they're only using the one shot [in Blue Jasmin]. That was my last day.
Alden Ehrenreich
I've had a couple opportunities where I've been on the other side of the audition process as a director.
Alden Ehrenreich