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An era that I specifically like is sort of late 50's, early 60's. I guess mid 50's too. I like these types of films that deal with post WWII America and this more complex leading man that kind of emerges from that.

Alden Ehrenreich

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Alden Ehrenreich
Age: 34
Born: 1989
Born: November 22
Actor
Film Actor
Television Actor
LA
California
Alden Caleb Ehrenreich
Deals
Complexes
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Complex
Emerges
Film
Guess
Specifically
America
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More quotes by Alden Ehrenreich

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I've had a couple opportunities where I've been on the other side of the audition process as a director.
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For me, the drive is storytelling. To be a part of an art that tells a story and to be a catalyst, a color in that, is very exciting.
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I really feel lucky that I still feel excited about the actual work that I get to do. I just happen to love it, and I could easily see, for somebody else, that not being the case.
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Acting-wise, I've had all these experiences. Yet when I look at certain people whose careers I admire, they've gotten to play so many different characters. So it's just that - getting to have more of these singular little adventures where you get to be a part of a completely different world.
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I'm trying to make myself sound better.
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For me, each one of those experiences stands on its own. The first one was with Steven Spielberg, who helped me to get an agent and vouch for me, and that gave me the confidence to continue.
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You need those people to also have power and authority, and in a way that has been the story of my career.
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Same with the Coen brothers and Warren [Beatty]. And then slowly you get to know each one of them as a person, and that becomes a kind of separate entity, where you just know the human being.
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I think you always feel like you're about a hair's breadth away from being a bad actor anyway... It's not too hard to let the rope go slack, so to speak.
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I think that having had [Steven Spielberg's] confidence in me probably made me a little more immune to feeling as bad about myself in the face of rejection. I also was just so young - I was unaware enough to not take it too seriously.
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Their way of working [the Coen brothers] is always kept pretty mysterious. I was so curious to see how they make these movies. It was just such a joy - they seem to have so much fun making their movies.
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You do need these people to go out on a limb for you, thinking you're right for a role rather than having box office numbers.
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Basically, Beautiful Creatures was the first lead that I had since Tetro, and it was a lesson in seeing what it's like to film a movie that's of a much bigger scale. It was a good initiation.
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Elia Kazan - the films he made were such a big deal for me when I was growing up.
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[The Yellow Birds] is based on a novel written by Kevin Powers, who is an Iraq War vet. I play a soldier who promises my friend's mother I'm going to keep him alive. But when we go overseas to Iraq, he gets killed. It's about what happened to him, my reckoning and dealing with that as I return home from the war.
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When I worked with anybody like Woody Allen, there's the name, and your understanding of who they are before you meet them, that stays in your head a little bit.
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Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.
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Even when Warren [Beatty] cast me, it had been two years between films at that point.
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[Warren's Beatty] first film being with this very important director [Elia Kazan], I think we related on that in a big way. And I just was genuinely curious about his experiences in film, and about the people he knew.
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I've had that experience many, many, times - when you don't get roles. I'd developed a good muscle for shaking it off.
Alden Ehrenreich