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An era that I specifically like is sort of late 50's, early 60's. I guess mid 50's too. I like these types of films that deal with post WWII America and this more complex leading man that kind of emerges from that.
Alden Ehrenreich
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Alden Ehrenreich
Age: 35
Born: 1989
Born: November 22
Actor
Film Actor
Television Actor
LA
California
Alden Caleb Ehrenreich
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More quotes by Alden Ehrenreich
For me, it was watching 'Reds' and 'Splendor in the Grass.' To me, 'Splendor' is like the companion piece to 'Rules Don't Apply.' It's set in the time when Warren [Beatty] came to Hollywood, and when he did that first film.
Alden Ehrenreich
I actually remember getting asked when we were at the Cannes Film Festival, what I expected to do next. I remember feeling like there was no way I could've imagined that something like Tetro would have happened to me.
Alden Ehrenreich
That was cool, because they've all [ George Clooney and Josh Brolin and Scarlett Johansson] worked with the Coens. They were much more at ease with them at the outset, and they were all kind of familiar with the shorthand that the Coens had.
Alden Ehrenreich
I honesty feel that each film has its own particular challenges.
Alden Ehrenreich
I'm trying to make myself sound better.
Alden Ehrenreich
I didn't read the script [ Rules Don't Apply ] for a couple years. It basically amounted to this kind of apprenticeship with Warren [Beatty]: conversations and learning about his whole background in the film industry and his life.
Alden Ehrenreich
You get bummed out, and then you go, Oh! Now I get to go buy a present for myself. That kind of helps.
Alden Ehrenreich
Howard Hughes innovation was in the aviation field. His designs and spirit of experimentation was at the forefront. As far as his work as film producer, he certainly went after a bigger and more ambitious kind of filmmaking, even if he wasn't necessarily a cinema artist.
Alden Ehrenreich
The biggest challenge to being an actor is when you're not working, just being unemployed, the downtime and not having anything to do.
Alden Ehrenreich
One of the big takeaways from that experience [in Blue Jasmin] was just what a thrill it was to act with somebody like Cate Blanchett operating on that caliber. Because what she was doing was very powerful. T
Alden Ehrenreich
Same with the Coen brothers and Warren [Beatty]. And then slowly you get to know each one of them as a person, and that becomes a kind of separate entity, where you just know the human being.
Alden Ehrenreich
[Howard Hughes ] approached filmmaking like he approached all of his inventiveness - it gave him an opportunity to make a name for himself in the world.
Alden Ehrenreich
When I worked with anybody like Woody Allen, there's the name, and your understanding of who they are before you meet them, that stays in your head a little bit.
Alden Ehrenreich
Some movies, I think, present ideas of the world that just don't help people with their lives. They just present things that are fleeting or stupid. So that's what I'm careful about - making sure I'm part of something that is saying something that I think is valuable in the world of people, not necessarily in the world of art.
Alden Ehrenreich
I got turned down for a million jobs until I got my first movie with Francis [Ford Coppola].
Alden Ehrenreich
Just getting to talk to that person [Woody Allen ] in real life was pretty wild.
Alden Ehrenreich
I've had a couple opportunities where I've been on the other side of the audition process as a director.
Alden Ehrenreich
Like I've known Francis [For Coppola] for so long I think, Oh, Francis. And then you see his name on something with The Godfather, and you go, Oh, yeah. He's also that. The person you knew of before you met the actual person.
Alden Ehrenreich
[Warren's Beatty] first film being with this very important director [Elia Kazan], I think we related on that in a big way. And I just was genuinely curious about his experiences in film, and about the people he knew.
Alden Ehrenreich
[Warren Beatty] definitely sees 'Rules' as a comedic consequence to the American sexual puritanism that is dramatically presented in 'Splendor.'
Alden Ehrenreich
