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Readers are bullied in schoolyards and in locker-rooms as much as in government offices and prisons.

Alberto Manguel

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Alberto Manguel
Age: 76
Born: 1948
Born: March 13
Editor
Translator
Writer
Buenos Ayres
Alberto Manguel
Readers
Prison
Reader
Office
Locker
Rooms
Lockers
Government
Offices
Much
Prisons
Bullied

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The listeners who buy books after a reading multiply that reading the author who realizes that he or she may be writing on a blank page but is at least not speaking to a blank wall may be encouraged by the experience, and write more.
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A society can exist - many do exist - without writing, but no society can exist without reading.
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The world encyclopedia, the universal library, exists, and it is the world itself.
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The love of libraries, like most loves, must be learned.
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Each book was a world unto itself, and in it I took refuge.
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Ultimately, the number of books always exceeds the space they are granted.
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I enjoyed learning the poems, but I didn't understand of what use they might possibly be. ‘They'll keep you company on the day you have no books to read,' my teacher said.
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In no way am I demeaning writing or any other form of art because it's popular. What I'm saying is that anything fed into the industrial machinery to comply with rules of size and length and shelf-life has a hard time surviving as art.
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Reality deals in specifics under the guise of generalities. Literature does the contrary.
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A book brings its own history to the reader.
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I never talked to anyone about my reading the need to share came afterwords.
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It is in the translation that the innocence lost after the first reading is restored under another guise, since the reader is once again faced with a new text and its attendant mystery. That is the inescapable paradox of translation, and also its wealth.
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Through ignorance, through faith, through intelligence, through trickery and cunning, through illumination, the reader rewrites the text with the same words of the original but under another heading, re-creating it, as it were, in the very act of bringing it into being.
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We seem to live a culture that doesn't want blemishes. The vision of most beautiful models... airbrushed in order to be seen as perfect, infects our notion of how literature should be written.
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In every literate society, learning to read is something of an initiation, a ritualized passage out of a state of dependency and rudimentary communication.
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Reading is at the beginning of the social contract.
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At one magical instant in your early childhood, the page of a book—that string of confused, alien ciphers—shivered into meaning. Words spoke to you, gave up their secrets at that moment, whole universes opened. You became, irrevocably, a reader.
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Nothing moves except my eyes and my hand occasionally turning a page, and yet something not exactly defined by the word text unfurls, progresses, grows and takes root as I read. But how does this process take place?
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One can transform a place by reading in it.
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There is a line of poetry, a sentence in a fable, a word in an essay, by which my existence is justified find that line, and immortality is assured.
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