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If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?

Alberto Giacometti

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Alberto Giacometti
Age: 64 †
Born: 1901
Born: October 10
Died: 1966
Died: January 11
Artist
Designer
Drawer
Graphic Artist
Jewelry Designer
Painter
Printmaker
Sculptor
Writer
Alberṭo Gʼaḳomeṭi
Use
Experience
Everything
Would
Like
Reproduce
Colors
Gray
Color

More quotes by Alberto Giacometti

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In a burning building I would save a cat before a Rembrandt.
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It was always disappointing to see that what I could really master in terms of form boiled down to so little.
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I paint and sculpt to get a grip on reality... to protect myself.
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What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
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I don't know who I am or who I was. I know it less than ever. I do and I don't identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
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In a fire, between a Rembrandt and a cat, I would save the cat.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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At first, one sees the person who is modelling but little by little, all of the possible sculptures that could be made come between artist and model.
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The older I grow, the more I find myself alone.
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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn't care.
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When I make my drawings... the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
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Whores are the most honest girls. They present the bill right away.
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If the glass there in front of me astounds me more than all the glasses I've seen in painting, and if I even think that the greatest architectural wonder of the world couldn't affect me more than this glass, it's really not worth while going to the Indies to see some temple or other when I have as much and more right in front of me.
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In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it.
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The more you fail, the more you succeed. It is only when everything is lost and - instead of giving up - you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling - be it an illusion or not - that something new has opened up.
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The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.
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If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
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The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
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Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
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I don't know if I work in order to do something, or in order to know why I can't do what I want to do.
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