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If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?

Alberto Giacometti

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Alberto Giacometti
Age: 64 †
Born: 1901
Born: October 10
Died: 1966
Died: January 11
Artist
Designer
Drawer
Graphic Artist
Jewelry Designer
Painter
Printmaker
Sculptor
Writer
Alberṭo Gʼaḳomeṭi
Like
Reproduce
Colors
Gray
Color
Use
Experience
Everything
Would

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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn't care.
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All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.
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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
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Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
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If the glass there in front of me astounds me more than all the glasses I've seen in painting, and if I even think that the greatest architectural wonder of the world couldn't affect me more than this glass, it's really not worth while going to the Indies to see some temple or other when I have as much and more right in front of me.
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I don't know if I work in order to do something, or in order to know why I can't do what I want to do.
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When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
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I've been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
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The more you fail, the more you succeed. It is only when everything is lost and - instead of giving up - you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling - be it an illusion or not - that something new has opened up.
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In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject the form is always in proportion to the obsession.
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Only reality interests me now and I know I could spend the rest of my life in copying a chair.
Alberto Giacometti
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(Art is) the residue of vision.
Alberto Giacometti
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In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it.
Alberto Giacometti
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The older I grow, the more I find myself alone.
Alberto Giacometti
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It was always disappointing to see that what I could really master in terms of form boiled down to so little.
Alberto Giacometti
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The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
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All the sculptures of today, like those of the past, will end one day in pieces... So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
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In a burning building I would save a cat before a Rembrandt.
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In a fire, between a Rembrandt and a cat, I would save the cat.
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I paint and sculpt to get a grip on reality... to protect myself.
Alberto Giacometti