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If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?

Alberto Giacometti

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Alberto Giacometti
Age: 64 †
Born: 1901
Born: October 10
Died: 1966
Died: January 11
Artist
Designer
Drawer
Graphic Artist
Jewelry Designer
Painter
Printmaker
Sculptor
Writer
Alberṭo Gʼaḳomeṭi
Like
Reproduce
Colors
Gray
Color
Use
Experience
Everything
Would

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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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In a burning building I would save a cat before a Rembrandt.
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When you look at art made by other people, you see what you need to see in it.
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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn't care.
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The object of art is not to reproduce reality, but to create a reality of the same intensity.
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Only reality interests me now and I know I could spend the rest of my life in copying a chair.
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
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(Art is) the residue of vision.
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I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
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Whores are the most honest girls. They present the bill right away.
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All the sculptures of today, like those of the past, will end one day in pieces... So it is important to fashion ones work carefully in its smallest recess and charge every particle of matter with life.
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If we master a bit of drawing, everything else is possible.
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It was always disappointing to see that what I could really master in terms of form boiled down to so little.
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In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it.
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Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
Alberto Giacometti
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Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
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If the glass there in front of me astounds me more than all the glasses I've seen in painting, and if I even think that the greatest architectural wonder of the world couldn't affect me more than this glass, it's really not worth while going to the Indies to see some temple or other when I have as much and more right in front of me.
Alberto Giacometti
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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
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The form is always the measure of the obsession.
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The more you fail, the more you succeed. It is only when everything is lost and - instead of giving up - you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling - be it an illusion or not - that something new has opened up.
Alberto Giacometti