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I've been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.

Alberto Giacometti

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Alberto Giacometti
Age: 64 †
Born: 1901
Born: October 10
Died: 1966
Died: January 11
Artist
Designer
Drawer
Graphic Artist
Jewelry Designer
Painter
Printmaker
Sculptor
Writer
Alberṭo Gʼaḳomeṭi
Drawing
Thousand
Understanding
Times
Understand
Everything
Louvre
Trying
Copied
Fifty

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I don't know if I work in order to do something, or in order to know why I can't do what I want to do.
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In a fire, between a Rembrandt and a cat, I would save the cat.
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The object of art is not to reproduce reality, but to create a reality of the same intensity.
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
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The form is always the measure of the obsession.
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The older I grow, the more I find myself alone.
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Taste for things of the past evolves, doesn't it? What was a masterpiece a hundred years ago is no longer so today.
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Whores are the most honest girls. They present the bill right away.
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If we master a bit of drawing, everything else is possible.
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I paint and sculpt to get a grip on reality... to protect myself.
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I don't know who I am or who I was. I know it less than ever. I do and I don't identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
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If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
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Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
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At first, one sees the person who is modelling but little by little, all of the possible sculptures that could be made come between artist and model.
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The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
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In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it.
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The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
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When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
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When you look at art made by other people, you see what you need to see in it.
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