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In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it.

Alberto Giacometti

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Alberto Giacometti
Age: 64 †
Born: 1901
Born: October 10
Died: 1966
Died: January 11
Artist
Designer
Drawer
Graphic Artist
Jewelry Designer
Painter
Printmaker
Sculptor
Writer
Alberṭo Gʼaḳomeṭi
People
Past
Thought
Reason
Many
Loneliness
Must
Talk
Never
Working
Think
Fact
Thinking
Facts

More quotes by Alberto Giacometti

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When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.
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Failure is my best friend. If I succeeded, it would be like dying. Maybe worse.
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I don't know who I am or who I was. I know it less than ever. I do and I don't identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
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If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
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(Art is) the residue of vision.
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Only reality interests me now and I know I could spend the rest of my life in copying a chair.
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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
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The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
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Taste for things of the past evolves, doesn't it? What was a masterpiece a hundred years ago is no longer so today.
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When I make my drawings... the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
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In a fire, between a Rembrandt and a cat, I would save the cat.
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
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The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
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The object of art is not to reproduce reality, but to create a reality of the same intensity.
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When you look at art made by other people, you see what you need to see in it.
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I don't know if I work in order to do something, or in order to know why I can't do what I want to do.
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The older I grow, the more I find myself alone.
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The more you fail, the more you succeed. It is only when everything is lost and - instead of giving up - you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling - be it an illusion or not - that something new has opened up.
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