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If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.

Alberto Giacometti

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Alberto Giacometti
Age: 64 †
Born: 1901
Born: October 10
Died: 1966
Died: January 11
Artist
Designer
Drawer
Graphic Artist
Jewelry Designer
Painter
Printmaker
Sculptor
Writer
Alberṭo Gʼaḳomeṭi
Marvellous
Paint
Else
Someone
Would

More quotes by Alberto Giacometti

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In the past I have never thought about loneliness when working, and I don't think about it now. Yet there must be a reason for the fact that so many people talk about it.
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Taste for things of the past evolves, doesn't it? What was a masterpiece a hundred years ago is no longer so today.
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In a burning building I would save a cat before a Rembrandt.
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I don't know if I work in order to do something, or in order to know why I can't do what I want to do.
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Only reality interests me now and I know I could spend the rest of my life in copying a chair.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won't know what it is until I succeed in doing it.
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What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
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I don't know who I am or who I was. I know it less than ever. I do and I don't identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
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The object of art is not to reproduce reality, but to create a reality of the same intensity.
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The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.
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If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
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(Art is) the residue of vision.
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The older I grow, the more I find myself alone.
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All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
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It was always disappointing to see that what I could really master in terms of form boiled down to so little.
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When I make my drawings... the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
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I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. . . . So long as I've learned something about why.
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At first, one sees the person who is modelling but little by little, all of the possible sculptures that could be made come between artist and model.
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
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