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All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.

Alberto Giacometti

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Alberto Giacometti
Age: 64 †
Born: 1901
Born: October 10
Died: 1966
Died: January 11
Artist
Designer
Drawer
Graphic Artist
Jewelry Designer
Painter
Printmaker
Sculptor
Writer
Alberṭo Gʼaḳomeṭi
Always
Faint
Image
Failure
Equal
Perhaps
Less
Success
Ever

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I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
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What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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Whores are the most honest girls. They present the bill right away.
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The object of art is not to reproduce reality, but to create a reality of the same intensity.
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Only reality interests me now and I know I could spend the rest of my life in copying a chair.
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Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
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I've been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
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The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.
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When I see a head from a great distance, it ceases to be a sphere and becomes an extreme confusion falling down into the abyss.
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The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
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I paint and sculpt to get a grip on reality... to protect myself.
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The older I grow, the more I find myself alone.
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At first, one sees the person who is modelling but little by little, all of the possible sculptures that could be made come between artist and model.
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It was always disappointing to see that what I could really master in terms of form boiled down to so little.
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When I make my drawings... the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.
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When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn't care.
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(Art is) the residue of vision.
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In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject the form is always in proportion to the obsession.
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If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.
Alberto Giacometti