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Whoever gives nothing, has nothing. The greatest misfortune is not to be unloved, but not to love.

Albert Camus

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Albert Camus
Age: 46 †
Born: 1913
Born: November 7
Died: 1960
Died: January 4
Author
Essayist
French Resistance Fighter
Journalist
Novelist
Philosopher
Playwright
Poet
Professor
Screenwriter
Writer
Drean
Camus
Love
Unloved
Misfortune
Misfortunes
Whoever
Gives
Greatest
Nothing
Giving

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Always there comes an hour when one is weary of one's work and devotion to duty, and all one craves for is a loved face, the warmth and wonder of a loving heart.
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There may be responsible persons, but there are no guilty ones.
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The loss of love is the loss of all rights, even though one had them all.
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One might think, that a period which, within fifty years, uproots, enslaves or kills seventy million human beings, should only, and forthwith, be condemned. But also its guilt must be understood.
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No excuses ever, for anyone that is my principle at the outset. I deny the good intention, the respectable mistake, the indiscretion, the extenuating circumstance. With me there is no giving of absolution or blessing.
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Of course, true love is exceptional - two or three times a century, more or less. The rest of the time there is vanity or boredom.
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I don't want to be a genius-I have enough problems just trying to be a man.
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There is no love of life without despair of life.
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Everything considered, a determined soul will always manage.
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There can be no true goodness, nor true love, without the utmost clear-sightedness.
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But again and again there comes a time in history when the man who dares to say that two and two make four is punished with death. The schoolteacher is well aware of this. And the question is not one of knowing what punishment or reward attends the making of this calculation. The question is one of knowing whether two and two do make four
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To two men living the same number of years, the world always provides the same sum of experiences. It is up to us to be conscious of them.
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Poor and free rather than rich and enslaved. Of course, men want to be both rich and free, and this is what leads them at times to be poor and enslaved.
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I may not have been sure about what really did interest me, but I was absolutely sure about what didn't.
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We know the surrealist solution: concrete irrationality, objective risk. Poetry is the conquest, the only possible conquest, of the 'supreme position', 'a certain position of the mind from where life and death, the real and the imaginary, the past and the future... cease to be perceived in a contradictory sense.'
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When the imagination sleeps, words are emptied of their meaning: a deaf population absent-mindedly registers the condemnation of a man. ... there is no other solution but to speak out and show the obscenity hidden under the verbal cloak.
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Modern conquerors can kill, but do not seem to be able to create. Artists know how to create but cannot really kill. Murderers are only very exceptionally found among artists.
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You always get exaggerated notions of things you don't know anything about.
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Thus I draw from the absurd three consequences, which are my revolt, my freedom, and my passion. By the mere activity of consciousness I transform into a rule of life what was an invitation to death—and I refuse suicide.
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He had opened his heart to the sublime indifference of the universe
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