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To correct a natural indifference I was placed half-way between misery and the sun. Misery kept me from believing that all was well under the sun, and the sun taught me that history wasn't everything.

Albert Camus

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Albert Camus
Age: 46 †
Born: 1913
Born: November 7
Died: 1960
Died: January 4
Author
Essayist
French Resistance Fighter
Journalist
Novelist
Philosopher
Playwright
Poet
Professor
Screenwriter
Writer
Drean
Camus
Wells
Misery
Everything
Sun
Well
Wasn
Placed
Believe
Taught
Indifference
Way
Differences
Believing
Half
Correct
Natural
Kept
History
Historical

More quotes by Albert Camus

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It is not the world that is absurd, nor human thought: the absurd arises when the human need to understand meets the unreasonableness of the world, when 'my appetite for the absolute and for unity' meets 'the impossibility of reducing this world to a rational and reasonable principle.'
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For me, physical love has always been bound to an irresistible feeling of innocence and joy. Thus, I cannot love in tears but in exaltation.
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...he said firmly, God can help you. All the men I’ve seen in your position turned to Him in their time of trouble. Obviously, I replied, they were at liberty to do so, if they felt like it. I, however, didn’t want to be helped, and I hadn’t time to work up interest for something that didn’t interest me.
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Am well. Thinking of you always. Love
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Real fulfillment, for the man who allows absolutely free rein to his desires, and who much dominate everything, lies in hatred.
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In order to exist just once in the world, it is necessary never again to exist.
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There always comes a time when one must choose between contemplation and action. This is called becoming a man.
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Men are never convinced of your reasons, of your sincerity, of the seriousness of your sufferings, except by your death. So long as you are alive, your case is doubtful you have a right only to their skepticism.
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To create today is to create dangerously. Any publication is an act, and that act exposes one to the passions of an age that forgives nothing.
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In order to exist, man must rebel, but rebellion must respect the limits that it discovers in itself - limits where minds meet, and in meeting, begin to exist.
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Does the end justify the means? That is possible. But what will justify the end? To that question, which historical thought leaves pending, rebellion replies: the means.
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Every artist preserves deep within him a single source from which, throughout his lifetime, he draws what he is, and what he says. When the source dries up, the work withers and crumbles.
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In order to speak about all and to all, one has to speak of what all know and of the reality common to us all. The sea, rains, necessity, desire, the struggle against death... these are things that unite us all.
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No cause justifies the deaths of innocent people.
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But all the long speeches, all the interminable days and hours that people had spent talking about my soul, had left me with the impression of a colorless swirling river that was making me dizzy.
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The tragedy is not that we are alone, but that we cannot be. At times I would give anything in the world to no longer be connected by anything to this universe of men.
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Heroism is accessible. Happiness is more difficult.
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In a world that has ceased to believe in sin, the artist is responsible for the preaching.
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A man's work is nothing but this slow trek to rediscover, through the detours of art, those two or three great and simple images in whose presence his heart first opened.
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It is better for the intellectual not to talk all the time. To begin with, it would exhaust him, and, above all, it would keep him from thinking. He must create if he can, first and foremost, especially if his creation does not side-step the problems of his time.
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