Quote

For the most part, improvising while cameras are rolling is very difficult. 99% of people you should never ask to do that, because they're under pressure, the clock is running, 80 people are staring at you...it's always unnatural.

Albert Brooks

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Albert Brooks
Age: 77
Born: 1947
Born: July 22
Actor
Film Actor
Film Director
Screenwriter
Television Actor
Voice Actor
Writer
Beverly Hills
California
Albert Lawrence Brooks
Albert Lawrence Einstein
A. Brooks
Always
Staring
Never
Clock
People
Cameras
Pressure
Asks
Difficult
Improvising
Running
Unnatural
Part
Rolling

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I've always liked to think ahead. Not stupid-far ahead. A hundred years doesn't interest me. But 20 years interests me, and more for what happens to humans as opposed to things.
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I was in Kashmir last weekend. Went to visit one of my sweaters.
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If anything happens to me, tell every woman I've ever gone with I was talking about her at the end. That way, they'll have to reevaluate me.
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I have children. I have a family to support. But I really could live in a one-room apartment, as long as the television worked. I never needed anything. Just a comfortable chair and I'm fine.
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Art and resistance are great together. That's what art's made for. Look at Vincent van Gogh: He didn't cut off his ear because he was selling well.
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I'd still like to see 'Survivor' minus the planned show-biz parts. That would be the purest form of show business - I want to see someone so hungry that they eat somebody else's foot.
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I'm a member of the Academy, but I don't know who all the other Academy members are. It's not like a politician who knows who is in the Iowa caucus.
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I've done performances in movies that I was immensely proud of and the movies didn't take off like a rocket at Cape Canaveral, it didn't take off.
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You always got to be happy when somebody likes what you do. It's stupid not to be happy.
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I don't know that I can define fear. But one of the sources of fear is holding up some sort of model life that doesn't exist and feeling like you're far away from it.
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'Drive' came to me because the casting director knew my manager and called and said, 'You've always talked to me about Albert wanting to play the heavy. I think he should read this.' My ears just perked up.
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I never wanted to be a director.
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When I went to acting school, the kids that got the best grades were the kids that could cry on cue. But it didn't really translate into careers for any of them, because the external is the easy part.
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I think anger and laughter are very close to each other, when you think about it.
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I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
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Well, you know, with every character, if you're going to expose yourself, you've got to figure out every detail that you're going to play. So there's no character that you can just go put on his shirt and be fully prepared.
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You can equate acting to a tennis game: When you're playing one of the best, you get better.
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I've always been in the middle of making my own movies, so taking acting jobs that take me away from that has been impossible.
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Be generous and you can be the best person who ever lived.
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What naturally stops you making the film is there is no more money in the budget. That's really what it is. If you had an unlimited budget, if you were a billionaire and you financed your own movies, then you can either date, because you can sit in an editing room for six years, like Howard Hughes, and never finish anything.
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