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For the most part, improvising while cameras are rolling is very difficult. 99% of people you should never ask to do that, because they're under pressure, the clock is running, 80 people are staring at you...it's always unnatural.
Albert Brooks
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Albert Brooks
Age: 77
Born: 1947
Born: July 22
Actor
Film Actor
Film Director
Screenwriter
Television Actor
Voice Actor
Writer
Beverly Hills
California
Albert Lawrence Brooks
Albert Lawrence Einstein
A. Brooks
Staring
Always
Clock
Never
Cameras
People
Pressure
Asks
Improvising
Difficult
Unnatural
Running
Rolling
Part
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Once you sign on as an actor, you know, you don't go to the editing room, you don't see how they cut, you don't see how they score, you don't see how they cast the rest of the movie.
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All improv turns into anger. All comedy improv basically turns into anger, because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.
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I cast unusual people in my movies.
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I'm not a big fan of the post-Armageddon stories, where Denzel Washington is walking around in a torn coat.
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If I'm going to act in someone's movie, I want the movie to be interesting and be able to get a couple of solid doubles.
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You never do a movie and not want it to work. You accept whatever it is. You have to, but nobody in their right mind would not want the movie to be getting talked about at the end of the year.
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Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.
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I got so good at writing to a budget, my brain was restricting myself. I'd write, It's a stormy night. Then I'd cross out stormy. I'd write: It's a calm night. Then I'd cross out night. It's noon. Because you know how much night costs. You know how much rain costs. Nothing comes free in movies.
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I just like making people laugh, and buried in that I like to bring up topics and start discussions.
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I don't know that I can define fear. But one of the sources of fear is holding up some sort of model life that doesn't exist and feeling like you're far away from it.
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There's nothing funny about flying to Houston.
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Being a screenwriter in Hollywood is like being a eunuch at an orgy. Worse, actually, at least the eunuch is allowed to watch.
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Nothing surprises me. After Donald Trump, nothing matters, does it?
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There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
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If you're going to act and do this for a living, you want to play something that the audience didn't expect.
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Acceptance is going to a restaurant where the salad's not great, but the steak is fine.
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You make friends with older people and you always feel young no matter what.
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