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If we had 3 million exhibitionists and only one voyeur, nobody could make any money.

Albert Brooks

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Albert Brooks
Age: 77
Born: 1947
Born: July 22
Actor
Film Actor
Film Director
Screenwriter
Television Actor
Voice Actor
Writer
Beverly Hills
California
Albert Lawrence Brooks
Albert Lawrence Einstein
A. Brooks
Make
Exhibitionist
Million
Nobody
Millions
Money

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All improv turns into anger. All comedy improv basically turns into anger, because that's all people know how to do when they're improvising. If you notice shows that are improvising are generally people yelling at each other.
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Acceptance is going to a restaurant where the salad's not great, but the steak is fine.
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One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
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If I'm going to act in someone's movie, I want the movie to be interesting and be able to get a couple of solid doubles.
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It's better to be known by six people for something you're proud of than to be known by sixty million for something you're not.
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I can't not put humor in a book.
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I've always been the king of silence. I've always been a minimalist comedian. I've taken my influence from Jack Benny, who was the king of that I've always done 'less is more.'
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If you paint, write, do mosaics, knit - if it's solving that part of your brain saying, 'I need to do this,' you've won.
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If you're going to act and do this for a living, you want to play something that the audience didn't expect.
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You never do a movie and not want it to work. You accept whatever it is. You have to, but nobody in their right mind would not want the movie to be getting talked about at the end of the year.
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In the beginning of any career, in every job, people are always forcing you to the middle.
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You know, when cameras are rolling, improvisation doesn't feel natural. The pressure is too great. You're on a time schedule. You've got 60 crewmen.
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If anything happens to me, tell every woman I've ever gone with I was talking about her at the end. That way, they'll have to reevaluate me.
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Once you sign on as an actor, you know, you don't go to the editing room, you don't see how they cut, you don't see how they score, you don't see how they cast the rest of the movie.
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Even though my father was a radio comedian, it wasn't cool to say, at a young age, 'I want to be a comedian.'
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I don't experience basic human emotions. It's not my thing.
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Bullfights are hugely popular because you can sit comfortably with a hot dog and possibly watch a man die. It wont be me, but I can sit comfortably and watch it.
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I've always felt like I work in a small little area that doesn't represent anything like the rest of society.
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When I was younger, I wasn't concentrating on good days. I was managing a career and trying to have a good year. It would always 'lead' to something, which never leads to anything except death, where everything leads to. And then as I got older, and then I had my kids and everything, I began to appreciate a great Wednesday.
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'Drive' came to me because the casting director knew my manager and called and said, 'You've always talked to me about Albert wanting to play the heavy. I think he should read this.' My ears just perked up.
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