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I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.
Alan Rickman
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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Coming
Hamptons
Movie
Layered
Dark
Christopher
Dies
Cerebral
Difficult
Explosions
Action
Holding
Play
Gun
Hard
Hollywood
Hampton
More quotes by Alan Rickman
I've learned, having been on a lot of sets, the good news is that by definition you are surrounded by experts. They get fired if they're not - unlike in the theatre!
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I don't think it's right that everybody knows everything about me.
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I am hellbent on defying your expectations, at every turn, and even if you don't like what's being done, I dare you to find it uninteresting.
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A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
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I want to swim in both directions at once. Desire success, court failure.
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I'm still living the life where you get home and open the fridge and there's half a pot of yogurt and a half a can of flat Coca-Cola.
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I mean, language fascinates me anyway, and different words have different energies and you can change the whole drive of a sentence.
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Every so often you read a play and a character just speaks to you - almost seems to speak through you, in fact.
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Mellow doesn't describe me. I'm hungry every day.
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If you judge the character, you cant play it.
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One of the most, in a weird way, encouraging things a director can say to an actor - I know this as an actor - is when you ask them a question, they say, I don't know - 'cause it means there's some space there for you to find out. And it means that there's going to be a process.
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Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
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I do take my work seriously and the way to do that is not to take yourself too seriously.
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The directors you trust the most are the ones, when you ask them a question, they've got the guts to say, 'I don't know.'
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I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.
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Parts win prizes, not actors.
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I suppose with any good writing and interesting characters, you can have that awfully overused word [...] - a jouuuuuurney.
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Acting is about giving something away, handing yourself over to whatever role you are asked to play. I'm not hiding or escaping or seeking anonymity. I reserve the right not to have a rubber stamp on my forehead saying this is who I am. Because who I am gets in the way of people looking innocently at the parts I play.
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I always feel that when I come to Edinburgh, in many ways I am coming home.
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I think there's some connection between absolute discipline and absolute freedom.
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