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I get stage fright and gremlins in my head saying: 'You're going to forget your lines'.
Alan Rickman
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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Going
Gremlins
Fright
Saying
Stage
Head
Lines
Forget
More quotes by Alan Rickman
I've never been able to plan my life. I just lurch from indecision to indecision.
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I think every English actor is nervous of a Newcastle accent.
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Actors are actually very supportive of each other.
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I mean, language fascinates me anyway, and different words have different energies and you can change the whole drive of a sentence.
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I'm a lot less serious than people think.
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I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.
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You try to find things that are challenging and interesting and hopefully it will be the same to the audience.
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My idea of a real treat is Magic Mountain without standing in line.
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My parents certainly didn't have anything to do with the theater. I'm some kind of accident.
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Parts win prizes, not actors.
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The directors you trust the most are the ones, when you ask them a question, they've got the guts to say, 'I don't know.'
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I like it when stories are left open.
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Somebody with Debbie Reynolds' features doesn't get cast as the Wicked Witch.
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I never talk about 'Harry Potter' because I think that would rob children of something that's private to them. I think too many things get explained, so I hate talking about it.
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I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.
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I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.
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If you spend any time in Los Angeles, there's only one topic of conversation.
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I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
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Three children have become adults since a phone call with Jo Rowling, containing one small clue, persuaded me that there was more to Snape than an unchanging costume, and that even though only three of the books were out at that time, she held the entire massive but delicate narrative in the surest of hands.
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It's a nightmare to sit and watch a film that I'm in. There's a horrible inescapability to it.
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