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I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
Alan Rickman
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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Happens
Part
Angle
Doe
Attempt
Persons
Decide
Person
Exactly
Every
Approach
Asked
Doesn
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I don't think it's right that everybody knows everything about me.
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All I want to see from an actor is the intensity and accuracy of their listening.
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What's interesting about the process of acting is how often you don't know what you're doing.
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Originally, theater was my life. It was what I assumed I'd spend my working life doing - if I was lucky. Then along came movies.
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I have this feeling that if I could sort out what's on my dining room table, everything would fall into place.
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There's, like, marks next to an actor's name or something, and boy does that go up and down! Somewhere in there, which always causes my mate Miss Ruby Wax great hilarity, I was offered a biopic of Frank Sinatra. Even I knew that was a bad idea! They'll throw anything at you at certain times. So, you know, to thine own self be true.
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I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.
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Each character I play has different dimensions. I'm not interested in words that pull them together.
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I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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That's it then. Cancel the kitchen scraps for lepers and orphans, no more merciful beheadings, and call off Christmas.
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I love perfumes. Every morning when my girlfriend and I come down to the courtyard in our block of flats we're assailed by the most delicious scent - jasmine round a doorway. It almost makes me swoon.
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Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
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When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
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And it's a human need to be told stories. The more we're governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible.
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The audience should feel like voyeurs. Their response is absolutely crucial.
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We're dead as a species if we don't tell stories, because then we don't know who we are.
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Maverick is a word which appeals to me more than misfit. Maverick is active, misfit is passive.
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A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
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The difference between being an actor and a director is simple. The director has to hide his panic the actor doesn't.
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