Quote

I think there should be laughs in everything. Sometimes, it's a slammed door, a pie in the face or just a recognition of our frailties.

Alan Rickman

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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Doors
Laughing
Frailties
Face
Slammed
Faces
Frailty
Everything
Pie
Sometimes
Laughs
Think
Recognition
Thinking
Door

More quotes by Alan Rickman

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I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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I don't play villains, I play very interesting people
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One thing I will say - my job gets harder and harder. The more you understand about what you are capable of, the less the instrument can do it physically. It's an inverse equation, if that's the right phrase. I just slammed those two words together. It sounded right.
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You can lull the paying customers as long as they get slapped.
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I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.
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You try to find things that are challenging and interesting and hopefully it will be the same to the audience.
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My parents certainly didn't have anything to do with the theater. I'm some kind of accident.
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Market forces impose certain rules before a film can actually get made.
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It's a nightmare to sit and watch a film that I'm in. There's a horrible inescapability to it.
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So you can't judge the character you're playing ever.
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The directors you trust the most are the ones, when you ask them a question, they've got the guts to say, 'I don't know.'
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I never expected to have any kind of film career, to be honest. It was all a bit of a surprise. But I was in a big hit play on Broadway. America, as many people will say, says yes more often than we do. And so I was suddenly surrounded by people saying yes. But I was aware that was 'cause of what I was in. It had a big impact.
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When I am asked about influences, I always say I bow down to Fred Astaire, because when you look at him dancing you never look at his extremities, do you? You look at his centre. What you never see is the hours of work that went into the routines, you just see the breathtaking spirit and freedom.
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I'm still living the life where you get home and open the fridge and there's half a pot of yogurt and a half a can of flat Coca-Cola.
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Actors are agents of change. A film, a piece of theater, a piece of music, or a book can make a difference. It can change the world.
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It is an ancient need to be told stories. But the story needs a great storyteller. Thanks for all of it, Jo.
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Who I am gets in the way of people looking innocently at the parts I play.
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I am hellbent on defying your expectations, at every turn, and even if you don't like what's being done, I dare you to find it uninteresting.
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Each character I play has different dimensions. I'm not interested in words that pull them together.
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I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.
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