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I suppose with any good writing and interesting characters, you can have that awfully overused word [...] - a jouuuuuurney.

Alan Rickman

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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Writing
Overused
Good
Awfully
Suppose
Characters
Journey
Word
Interesting
Character

More quotes by Alan Rickman

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If you judge the character, you cant play it.
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Acting is mostly about listening. If you just focus in on what the other person is saying, acting takes care of itself to quite a large extent.
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I was 7, and I remember being given a part in a play and thinking, This is exciting.
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I'm a lot less serious than people think, it's probably because the way my face is put together.
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Each character I play has different dimensions. I'm not interested in words that pull them together.
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England in the '60s and the '70s was everything that history has said it was phenomenally exciting, musically.
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I like it when stories are left open.
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Originally, theater was my life. It was what I assumed I'd spend my working life doing - if I was lucky. Then along came movies.
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There's, like, marks next to an actor's name or something, and boy does that go up and down! Somewhere in there, which always causes my mate Miss Ruby Wax great hilarity, I was offered a biopic of Frank Sinatra. Even I knew that was a bad idea! They'll throw anything at you at certain times. So, you know, to thine own self be true.
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We're dead as a species if we don't tell stories, because then we don't know who we are.
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Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
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On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
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The difference between being an actor and a director is simple. The director has to hide his panic the actor doesn't.
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In theater, you've got to be aware of your whole body because it involves stamina. It involves two-and-a-half hours and a sustained release of energy, maybe for six months.
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I'm very aware that when one is acting in the theater, you do become kind of animal about it. And you're reliant on instincts rather than tact a lot of the time.
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My parents certainly didn't have anything to do with the theater. I'm some kind of accident.
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With the best intentions, the job of acting can become a display of accumulated bad habits, trapped instincts and blocked energies. Working with the Alexander Technique has given me sightings of another way... Mind and body, work and life together. Real imaginative freedom.
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I have a love-hate relationship with white silk.
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Being on the stage in New York is always exciting because you feel like you're part of the life of the city.
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One of the most, in a weird way, encouraging things a director can say to an actor - I know this as an actor - is when you ask them a question, they say, I don't know - 'cause it means there's some space there for you to find out. And it means that there's going to be a process.
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