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I do feel more myself in America. I can regress there, and they have roller-coaster parks.

Alan Rickman

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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Feels
Regress
Coaster
Coasters
Roller
Parks
Political
America
Feel

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Market forces impose certain rules before a film can actually get made.
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That's it then. Cancel the kitchen scraps for lepers and orphans, no more merciful beheadings, and call off Christmas.
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I suppose with any good writing and interesting characters, you can have that awfully overused word [...] - a jouuuuuurney.
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The first time that I came to New York to work properly was the mid-'80s, but I was doing eight shows a week. You have no life. Going to a punk rock club - or whatever the music was at that time - would not have been on my agenda.
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You try to find things that are challenging and interesting and hopefully it will be the same to the audience.
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I mean, language fascinates me anyway, and different words have different energies and you can change the whole drive of a sentence.
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And it's a human need to be told stories. The more we're governed by idiots and have no control over our destinies, the more we need to tell stories to each other about who we are, why we are, where we come from, and what might be possible.
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I think worrying things are going on in England - a real apathy.
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I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.
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Older people say, 'Oh I loved you in 'Sense and Sensibility,'' and that's the only film they want to talk about. Equally, there are people who only want to talk about 'Galaxy Quest.' And there's a whole bunch of teenagers who only want to talk about 'Dogma.'
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It's a nightmare to sit and watch a film that I'm in. There's a horrible inescapability to it.
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Every so often you read a play and a character just speaks to you - almost seems to speak through you, in fact.
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The difference between being an actor and a director is simple. The director has to hide his panic the actor doesn't.
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I don't think it's right that everybody knows everything about me.
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I'm a lot less serious than people think, it's probably because the way my face is put together.
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Actors are agents of change. A film, a piece of theater, a piece of music, or a book can make a difference. It can change the world.
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One of the most, in a weird way, encouraging things a director can say to an actor - I know this as an actor - is when you ask them a question, they say, I don't know - 'cause it means there's some space there for you to find out. And it means that there's going to be a process.
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Why don't I like you? Because you think I'm an asshole, and I'm not really, I'm just British and, well, you're not.
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I think every English actor is nervous of a Newcastle accent.
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The directors you trust the most are the ones, when you ask them a question, they've got the guts to say, 'I don't know.'
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