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I always feel that when I come to Edinburgh, in many ways I am coming home.

Alan Rickman

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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Feel
Feels
Way
Edinburgh
Always
Coming
Ways
Home
Come
Many

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Acting touches nerves you have absolutely no control over.
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In theater, you've got to be aware of your whole body because it involves stamina. It involves two-and-a-half hours and a sustained release of energy, maybe for six months.
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If you could build a house on a trampoline, that would suit me fine.
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I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.
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The directors you trust the most are the ones, when you ask them a question, they've got the guts to say, 'I don't know.'
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I suppose with any good writing and interesting characters, you can have that awfully overused word [...] - a jouuuuuurney.
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Why don't I like you? Because you think I'm an asshole, and I'm not really, I'm just British and, well, you're not.
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I think there should be laughs in everything. Sometimes, it's a slammed door, a pie in the face or just a recognition of our frailties.
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I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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What is it about actors? God knows I get bored with actors talking about themselves.
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With the best intentions, the job of acting can become a display of accumulated bad habits, trapped instincts and blocked energies. Working with the Alexander Technique has given me sightings of another way... Mind and body, work and life together. Real imaginative freedom.
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I think there's some connection between absolute discipline and absolute freedom.
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That's it then. Cancel the kitchen scraps for lepers and orphans, no more merciful beheadings, and call off Christmas.
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I love working in New York theater.
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I love perfumes. Every morning when my girlfriend and I come down to the courtyard in our block of flats we're assailed by the most delicious scent - jasmine round a doorway. It almost makes me swoon.
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On the screen were some flashback shots of Daniel, Emma and Rupert from ten years ago. They were 12. I have also recently returned from New York, and while I was there, I saw Daniel singing and dancing (brilliantly) on Broadway. A lifetime seems to have passed in minutes.
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I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.
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My idea of a real treat is Magic Mountain without standing in line.
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Talent is an accident of genes - and a responsibility.
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Los Angeles is not a town full of airheads. There's a great deal of wonderful energy there.
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