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England in the '60s and the '70s was everything that history has said it was phenomenally exciting, musically.
Alan Rickman
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Alan Rickman
Age: 69 †
Born: 1946
Born: February 21
Died: 2016
Died: January 14
Actor
Character Actor
Film Actor
Film Director
Film Producer
Graphic Designer
Screenwriter
Stage Actor
Television Actor
Theatrical Director
Hammersmith
London
Alan Sidney Patrick Rickman
Rickman
Exciting
History
Everything
Phenomenally
Musically
England
More quotes by Alan Rickman
I don't think it's right that everybody knows everything about me.
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I think there's some connection between absolute discipline and absolute freedom.
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Each character I play has different dimensions. I'm not interested in words that pull them together.
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You can act truthfully or you can lie. You can reveal things about yourself or you can hide. Therefore, the audience recognizes something about themselves or they don't -- You hope they don't leave the theatre thinking that was nice...now where's the cab?'
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Why don't I like you? Because you think I'm an asshole, and I'm not really, I'm just British and, well, you're not.
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I approach every part I'm asked to do and decide to do from exactly the same angle: who is this person, what does he want, how does he attempt to get it, and what happens to him when he doesn't get it, or if he does?
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Mellow doesn't describe me. I'm hungry every day.
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Nothing gives me as much pleasure as travelling. I love getting on trains and boats and planes.
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I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.
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A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
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I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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We're dead as a species if we don't tell stories, because then we don't know who we are.
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I've learned, having been on a lot of sets, the good news is that by definition you are surrounded by experts. They get fired if they're not - unlike in the theatre!
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Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
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I like it when stories are left open.
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I mean, language fascinates me anyway, and different words have different energies and you can change the whole drive of a sentence.
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It's a nightmare to sit and watch a film that I'm in. There's a horrible inescapability to it.
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I can only see my limitations. That's just who I am.
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Three children have become adults since a phone call with Jo Rowling, containing one small clue, persuaded me that there was more to Snape than an unchanging costume, and that even though only three of the books were out at that time, she held the entire massive but delicate narrative in the surest of hands.
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I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.
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